Posted by: Lisa Hill | October 9, 2012

The Girl You Left Behind (2012), by Jojo Moyes, Guest review by Marg Bates

Introducing Guest Blogger Marg Bates from Adventures of an Intrepid Reader!

Marg Bates is an indefatigable reader and book blogger from right here in Melbourne, and it is one of the joys of my online life that I met her in real life at the 2011 Melbourne Writers’ Festival and we have been firm friends ever since.  Although we live on opposite sides of town, when we can manage our busy lives to achieve it we attend literary events such as launches together, and sometimes we just have breakfast and go book-buying together.  Marg has reviewed many of the books that I’ve read, including literary fiction such as That Deadman Dance by Kim Scott, and graphic novels such as Persepholis by Marjane Satrapi, and she’s also reviewed books that have added to my ever-growing TBR such as The Interrogation of Ashala Wolf by Ambelin Kwaymullina.

But Marg also reads from a wider range of genres than I do, covering romance, historical fiction, young adult, mystery and fantasy, so when I was looking for a guest reviewer for a book sent to me by Penguin, I knew no better source than The Intrepid Reader!  Here is Marg’s review:

I really love split time narrative novels when they are done well, and this book certainly qualifies as one of those!

The Girl You Left Behind starts in occupied France during World War I.  The main female character, Sophie Lefevre, has withdrawn to a small village with her younger brother, her sister Sophie and Sophie’s children, to run the local hotel.  Their men have gone off to war to fight the German army, leaving their families in what they hope are safe surrounds.

Sophie’s husband is a talented artist, friends with some of the big names of the day.  One of the few possessions that Sophie has bought to her new home is a painting that he did of her – ‘The Girl You Left Behind’.

Together the family runs the hotel, providing a place for the community to gather together in the face of the ongoing German occupation of their village.  By working together the villagers find ways to subvert the German occupiers – often only in small ways but enough to be able to at least keep their spirits up.  That begins to change though when the local commandant decides that the hotel needs to begin providing meals to all the officers.  He begins to show Sophie signs of favouritism and it doesn’t take long for some in the village to begin to believe the worst of her.  It is easy for petty jealousies to take over when you believe that someone else is benefitting and getting more than you when have barely enough to survive on.

Sophie is desperate to find out where her husband Edouard is and she believes that the commandant might be able to help her. There is of course a price to pay. The Commandant has been drawn to the painting of Sophie since he first saw it but will that be a higher price than Sophie is prepared to pay?

The action suddenly moves forward just under a hundred years and to be honest, the adjustment felt very abrupt – but it didn’t take long before I was once again settled in for the modern story, as well as hoping to find more about what happened to Sophie. The painting, ‘The Girl You Left Behind’, now belongs to Liv Halston. Just as when Edouard painted Sophie as a gesture of love, for Liv the painting is representative of that same emotion. Her brilliant architect husband David had bought the painting during their honeymoon and since his early and unexpected death it had provided her with great comfort.

When Liv meets Paul McCafferty she believes that maybe she can start to think about moving on from her grief. Paul is an American ex-policeman living in London, sharing custody of his young son with his ex-wife and working for a company that tries to restore ownership of works of art that were wrongly taken during times of war. In an increasingly lucrative business, the pressure to stay at the top is immense and so when the Lefevre family engage his company to try and recover Edouard’s painting he can’t believe his luck when he stumbles onto it by accident.

However, his increasingly tangled emotions quickly become an issue as he realises how attached Liv is to the painting and that she is not going to give it up without a fight. Whilst the painting disappeared during WWI, Liv quickly becomes the target of people who are very active for the rights of those whose art was stolen during WWII particularly from Jewish families. Liv had been struggling financially and that was before she had exorbitant legal bills to pay and has become a figure of derision in the eyes of the public. Maybe the sensible solution would be not to fight, but Liv is not prepared to just give up. She has to try and find out where the painting has been, starting with the place where David bought the painting and work her way back through history.  Along the way, perhaps she can find out more about who the girl in the painting is and perhaps even what happened to her…

Jojo Moyes is a bit like a chameleon in terms of her books. A lot of authors find a niche and then stay there but not Moyes. This is the fourth book I have read by her. The first was set predominantly on a boat full of war brides after the end of WWII (The Ship of Brides). The second was both in the late 60s through to modern day (The Last Letter from Your Lover) with the third being wholly contemporary and tackling a huge social issue (Me Before You).

I have enjoyed all of her books I have read so far, but the last couple especially so. In this book, Moyes skillfully took two stories and wove those threads together to form a compelling story. I found myself turning the pages whilst at the same time wondering how on earth she was possibly going to end both stories. Whilst both have the possibility of being kind of morbid, the various secondary characters and various events help to keep the emotions balanced. At times funny and uplifting, and at other times heartbreaking, Moyes takes the reader on a journey that covers both time and the emotional landscape.

The UK cover [RHS] is a bit deceptive, because at first glance it looks quite whimsical but the elements do actually reflect the story. I am not sure about the Australian cover [LHS above] though. It’s nice, but whether it would have caught my eye if I hadn’t been absolutely excited by the prospect of a new book from Moyes is a different question! I should mention that there is also a connected novella that is available on e-book only called Honeymoon in Paris which is a prequel to the action in this novel. I haven’t read it, but I will, despite being a little cynical about the marketing-driven reason for doing this. Then again, there are plenty of publishers that are going down this track of added extras!

© Marg Bates

I like the way Marg doesn’t give anything away in her reviews: I wonder what happens to that painting?

For more great reviews and the occasional book giveaway, you can can subscribe to Marg’s blog here.

Cross-posted at Adventures of an Intrepid Reader.

Author: Jojo Moyes
Title: The Girl You Left Behind
Publisher: Penguin 2012
ISBN: 9781405909112
Source: Review copy courtesy of Penguin.

Fishpond: The Girl You Left Behind
Or direct from Penguin Books.


  1. It’s taken me a while to get to read this entry but I’m glad I did. Lisa, I really like how you get guest bloggers to review books that you wouldn’t normally review. It adds depth (or should I say breadth?) to your blog. And a great review, Marg, I’m heading over to your blog now to take a look. I read “Me Before You” a couple of months ago and I really enjoyed it. I since recommended it to my book club and everyone there really enjoyed it too. I’ve put all of Moyes books on my wishlist but maybe I’ll put this one first…


    • I’m certainly very grateful to the guest bloggers who so generously contribute – because without their help, short of cloning myself I really don’t see how I could read and review any more than I do!


    • Thanks Sharkell. Me Before You is a perfect book club choice and this would be a good one too with the two story and the ethical question about Liv’s ownership of the painting providing good fodder for discussion.


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