Posted by: Lisa Hill | May 26, 2012

2012 Prime Minister’s Literary Award shortlist


The PM’s Literary Prize shortlist has been announced: the press release follows:

2012 shortlists announced

The wait is over! The shortlists for the 2012 Prime Minister’s Literary Awards have been announced.

In announcing the shortlisted entries, Prime Minister Julia Gillard and Arts Minister Simon Crean congratulated the shortlisted authors and producers noting that this was a very competitive year for the Awards with over five hundred entries across all the categories, including the inaugural poetry award and the newly incorporated Prize for Australian History.

The shortlists include a diverse range of entries from richly illustrated children’s books to powerful documentaries with themes as broad as alienation, family conflict, Indigenous history, memoirs and magical worlds.

This year’s fiction shortlist includes highly emotionally works and dark humour with a strong representation of historical fiction.

The shortlist for the inaugural poetry award – a welcome and important introduction to the Awards – includes strong and innovative works, continuing Australia’s rich tradition of the poetic voice.

The entries for the non-fiction category and newly incorporated Australian history prize include original and insightful works covering diverse topics, from Australia’s Indigenous history to what it is like to have your child diagnosed with autism.

In the young adult fiction category no subject was off limits. Many entries explored themes of adolescent turmoil with humour and compassion.

The children’s fiction category attracted creative entries that will fire children’s imaginations and develop their love of language and reading.

The 2012 Prime Minister’s Literary Awards shortlists are:
Fiction shortlist [those in bold are also shortlisted for the Miles Franklin Award].
All That I Am by Anna Funder (see my review)
Sarah Thornhill by Kate Grenville (see my review)
Foal’s Bread by Gillian Mears (see my review)
Autumn Laing by Alex Miller (see my review)
Forecast: Turbulence by Janette Turner Hospital

Poetry shortlist
Ashes in the Air by Ali Alizadeh
Interferon Psalms by Luke Davies
Armour by John Kinsella
Southern Barbarians by John Mateer
New and Selected Poems by Gig Ryan

Non-fiction shortlist
A Short History of Christianity by Geoffrey Blainey
Michael Kirby: Paradoxes and Principles by A J Brown
When Horse Became Saw: A Family’s Journey Through Autismby Anthony Macris
Kinglake-350 by Adrian Hyland
An Eye for Eternity: The Life of Manning Clark by Mark McKenna (on my TBR)

Prize for Australian History shortlist
1835: The Founding of Melbourne and the Conquest of Australia by James Boyce (see my review)
The Biggest Estate on Earth: How Aborigines Made Australia by Bill Gammage
Breaking the Sheep’s Back: The Shocking True Story of the Decline and Fall of the Australian Wool Industry by Charles Massy
Indifferent Inclusion: Aboriginal People and the Australian Nation by Russell McGregor
Immigration Nation: The Secret History of Us by Renegade Films Australia Pty Ltd

Young adult fiction shortlist
A Straight Line to My Heart by Bill Condon
Being Here by Barry Jonsberg
Pan’s Whisper by Sue Lawson
When We Were Two by Robert Newton
Alaska by Sue Saliba

Children’s fiction shortlist
Evangeline, The Wish Keeper’s Helper by Maggie Alderson
The Jewel Fish of Karnak by Graeme Base
Father’s Day by Anne Brooksbank
Come Down, Cat! by Sonya Hartnett, illustrated by Lucia Masciullo
Goodnight, Mice! by Frances Watts, illustrated by Judy Watson

Posted by: Lisa Hill | May 26, 2012

Book Giveaway winner: Grace Beside Me by Sue McPherson


Grace Beside MeCongratulations to Jenny who is the winner of the Book Giveaway for Indigenous Literature Week after I drew No 2 using the Random Number Generator.

Jenny has won a copy of Grace Beside Me by indigenous author Sue McPherson.  The book is published by Magabala Books who kindly donated it as a giveaway for Indigenous Literature Week here at ANZ LitLovers in July.

I already have Jenny’s postal address so the book will be on its way in the next post.

Here’s the blurb for Grace Beside Me from the Magabala press release:

Written from teenager girl Fuzzy Mac’s perspective, Grace Beside Me is a  quirky, warmly rendered story of home and family life in a small town. The black&write! judges remarked on the authentic feel of the Indigenous home life of Fuzzy Mac and her grandparents — her guardians since the death of her mother.

Awkward episodes of teen rivalry and romance sit happily alongside the mystery of Gran’s visions and an encounter with a ghost. The story sits against a backdrop of amazing characters including the holocaust survivor who went to school with Einstein; the sleazy, once-good-looking Mayor; the little priest always rushing off to bury someone before the heat gets to them; the wife basher up the road; Lola’s Forest, dedicated to Lola, a traditional Aboriginal woman who met Ned Kelly — and Nan and Pop.

Grace Beside Me interweaves the mundane with the profound and the spiritual — it is full of wisdom and good advice (Fuzzy call’s Nan ‘the queen of all knowing’) on everything from how to to ‘sit a while’ in the bush and connect with country to how to properly hang out the washing.

Sue McPherson is a visual artist living in Eumundi, Queensland. She was born in Sydney to an Aboriginal mother, from Wiradjuri country.  Sue was adopted into the McPherson family, landowners from the Batlow area in News South Wales, when she was very young.

Sue was inspired to write by her two teenage sons. She took a writing workshop in Coolum and, three months later, started writing Grace Beside Me. 

You can buy Grace Beside Me from Fishpond, from Magabala online and good book stores.

Posted by: Lisa Hill | May 25, 2012

The Landmark Herodotus, edited by Robert B. Strassler


The Landmark Herodotus: The HistoriesWhy should anybody not a student of Ancient History be bothered reading Herodotus?  Good question, and my answer is, for fun.

This is not what I would have said back in the days when I was studying Classics at the University of Melbourne.  Classical Studies was not actually my initial choice for a second major: it was more a matter of what lectures were available as evening classes. However I soon fell in love with the subject because I had some wonderful lecturers to ignite my interest – notably Professor Michael Osborne, and Denis Pryor who took us for Greek and Roman Lit.  I ended up spending many happy weekends absorbed in the books and journals in the Classics Library but keen as I was, I only browsed and read the required sections of Herodotus and his successor Thucydides. (I never got to Xenophon at all).

When one reads these key texts as a student, there’s an academic agenda underlying that reading.  We had no personal computers or laptops in those days, much less an iPad, but the pen was always busy taking notes for the impending essay or exam.  When one reads these histories for fun, at leisure, and spread over weeks and months of reading only when the mood strikes, one can enjoy the gossipy bits, the quirky details and the observations that remind us that the Ancients were not so very different to us after all.  So any student dropping by to find erudite quotables will be disappointed with my thoughts here - this post is strictly frivolous.  Serious scholars who’ve stumbled here should abandon this site immediately…

The HistoriesThe other point to note is that there’s no way I could have afforded these lovely annotated editions with their bountiful maps and illustrations, even if they’d been available back then.  These are handsome investment editions, and even though they are now much cheaper than they were when first published, (and you can get them in paperback) they’re still more expensive than the Penguin versions equivalent to the edition I still have from all those years ago.  (It’s just called The Histories).  The Landmark Series is an indulgence.

The Introduction by Rosalind Thomas explains the caveat for the use of the title, ‘Histories’.  Herodotus was a Greek who lived in Ionia in the 5th century BCE.   Using ‘research’ from his extensive travels, his ‘Histories’ is a narrative explaining how the Greek city states briefly stopped arguing with each other to stave off conquest by the mighty Persian Empire.  Herodotus was actually the world’s first historian, though not in the modern sense of the word.  He blends facts, legends and bizarre digressions about gold-digging ants and hippos with manes like horses.   And, just as the rigours of travel can muddle the details for contemporary travellers who are blessed with cameras, SmartPhones, Moleskine notebooks and travel blogs, Herodotus didn’t always get things right.  He didn’t always write things down immediately; he wasn’t always discerning about the veracity of other travellers’ tales making their way into his histories; and he was a creature of his time, convinced that there were gods running about and influencing events.

History of the Peloponnesian WarHis immediate successor, Thucydides, was snooty about Herodotus (without actually naming him) and in some ways with good reason: his History of the Peloponnesian War is more coherent because it’s written as a chronological narrative.  Thucydides skips the gods as agents in human affairs, and (though scholars argue about this, as scholars do) his account appears to be unbiased. But he is coy about his sources, whereas (even when he thinks what they say is ‘silly’), Herodotus almost always attributes his sources, and often offers multiple accounts leaving the reader to sort it out for herself.  I like this, and I also prefer Herodotus’ less dry style.  Thucydides is inclined to be a little rather pompous.  Herodotus is more like a bloke at a bar in a pub, getting sidetracked from the main game, but much more interesting.

Anyway, much of what Herodotus tells us is verifiable using modern scholarship, and his labours give us a marvellous picture of life among the ancients.  It’s for that reason that readers will find that allusions to Herodotus crop up in all kinds of places, and so he’s worth reading much as the Bible is, or Shakespeare.

I can’t remember if Thucydides has much to say about women.   But in Book One Herodotus tells us some interesting anecdotes about two queens of Babylon, Semiramis and Nitokris.  These women had a practical turn of mind, Semiramis organising engineering infrastructure to prevent flooding, and Nitokris diverting the Euphrates with channels as a defensive strategy against enemies.  She had a sense of humour too, for her tomb was inscribed with a tantalising offer of money inside it – along with a stern warning not to touch the tomb unless the money really was needed.  And it was actually left alone until Darius the Persian King (522 -486) happened along.  He quickly succumbed to temptation and the ruse was revealed: no money, just scorn for his greed.

Herodotus was no feminist, though.  He strongly approves of the Babylonian system of auctioning off its women so that the high prices paid for the beautiful could subsidise the dowries of the plain who would otherwise not had husbands at all.   On the other hand he describes another of their customs as disgusting, and I’m inclined to agree.  These unfortunate women, rich or poor, once a year had to ‘sit down in the sanctuary of Aphrodite and have intercourse with a stranger’… receiving silver tossed into their laps as recompense.  (And the silver, being sacred property, can’t be spent either).   Curious how often it is that religious rites involve sexual abuse of women, isn’t it?

But that was not the only case of cruel practices in those days.  There was a fellow called Harpagos who plotted revenge for many years against his rival Astyages and it was this that led to a revolt by Cyrus who went on to become king of the Persians.   Astyages  (who was in power in Media) suffered from that all too common omen that his son would usurp him, so he had sent Harpagos to kill the boy.  When he eventually discovered that Harpagos hadn’t done it, he had the son of Harpagos killed and served him up to the unsuspecting father on a platter.  And then he had the nerve to criticise Harpagos for helping the Persians!  He ended up being enslaved himself in the end, which seems a mild enough punishment to me, though a bit rough on his subjects (the rest of the Medeans) who’d already  had to put up with his cruelty for 35 years.

By the time we get to Book Two, Herodotus seems like an old friend.  I was fascinated to see that more than two millenia ago, the Persians were interested in the origins of life.  They wanted to know where the earliest people on earth emerged.  And how to find out?  With another example of extreme cruelty.  Two infants were selected from among the ‘ordinary people’ and raised in a ‘secluded hut by themselves’, with no human contact and fed only by goats.  This was because Psammetichos (the Egyptian king) thought that the first sounds uttered by these poor children would reveal the answer.  It turned out to be ‘bekos’ (bread) in the Phrygian language so, lo! proof incontrovertible that the Phrygians were first, yeah! (Too bad about the children’s psychological development, eh?)

Sometimes, of course, Herodotus trips himself up with an opinionated observation where he comes off badly.  There’s a sequence which is rather droll for a modern reader who enjoys the benefit of modern astronomy: Herodotus pours scorn on various theories about the origins of the Nile and when it floods.  ‘A man could at least think logically about such things’ he pompously says, and then shares his own complicated little pet theory about the sun being driven off its usual course by storms …

Other observations are just funny.  He records that Egyptian women had only one garment while the men had two  – but fails to tell us what the women wore on laundry day – their birthday suits?  On the other hand he goes into more detail than you really want to know about how they care for, butcher and sacrifice various animals.  As well as the description of the hippo (which proves he never saw one), there’s also a lovely one about a pet crocodile with golden ear-rings and bangles on its front feet.  You can also learn all you ever wanted to know about embalming, and the ‘true’ story of Helen of Troy.

I’m working my way through Herodotus during commercial breaks of the current Masterchef season on TV.  There are soooo many ads I’ve read up to the end of Book 2 and we’re only up to Week 3! I’ll come back to this post when I’ve read some more as and when the mood takes me but I’m not reading this with any timetable in mind – that’s the pleasure of reading it when there’s no exam to pass…

Editor: Robert B Strassler, Introduction by Rosalind Thomas, Translation by Andrea L. Purvis
Title: The Landmark Herodotus: The Histories
Publisher: Quercus 2008
ISBN: 9781847246868 (Hardback) 1024 pages

Availability:
Fishpond: The Landmark Herodotus: The Histories

Other titles for your classics shelf in this series:

(These are available as paperbacks, but they are big heavy books of 1000+ pages and will almost certainly fall apart with reading so I recommend the hardbacks.  However, if you wish to find them at Fishpond, follow the hardback links above, and then click the link on Robert Strassler’s name.  eBooks are currently unavailable, but you may also be able to make enquiries from there.  (But I wouldn’t want an eBook version: the maps would not be big enough to see the details, and their value is in being able to see all three of the overlapping maps that show the locator map, the main map and the inset map.)

Landmark Thucydides The Landmark Xenophon's Hellenika

Posted by: Lisa Hill | May 24, 2012

Bring Larks and Heroes, by Thomas Keneally


Bring Larks and Heroes (Text Classics)If you’re an Australian reader of this blog, you have to have been under a rock not to have seen Michael Heyward from Text Publishing as passionate champion of Australian classic literature.  I think that Text’s new collection of Text Classics is a great initiative - and I especially like the way it fits nicely with my project to read all the Miles Franklin winners.

Bring Larks and Heroes won the Miles Franklin in 1967, the third novel in Thomas Keneally’s long and impressive career as an Australian novelist.  Reading it is a little bit like finding an undiscovered Patrick White, because its style, to my surprise, is modernist – utterly unlike Keneally’s later novels that I’ve read: Schindler’s Ark a.k.a. Schindler’s List (which won the Booker in 1982); The Chant of Jimmie Blacksmith, (see my review); and The Widow and Her Hero (see my review).  I think it would be most interesting to trace Keneally’s development as a writer through his entire oeuvre – but he’s such a prolific author, there’s a PhD in it, I am sure.

It was the religious allusions, the brutal imagery and that sharp adjective ‘futile‘ on the very first page that made me think of Patrick White:

The afternoon is hot in this alien forest.  The sunlight burrows like a worm in both eye-balls.  His jacket looks pallid, the arms are rotted out of his yellowing shirt, and, under the gaiters, worn for the occasion, the canvas shoes are too light for this knobbly land.  Yet, as already seen, he takes long strides, he moves with vigour.  He’s on his way to Mr Commissary Blythe’s place, where his secret bride, Ann Rush, runs the kitchen and the house.  When he arrives in the Blythe’s futile vegetable garden, and comes mooning up to the kitchen door, he will, in fact, call Ann my secret bride, my bride in Christ.  She is his secret bride.  If Mrs Blythe knew, she would do her best to crucify him., though that he is a spouse in secret today comes largely as the result of a summons from Mrs Blythe six weeks ago. (p1)

That ironically named Mrs Blythe also reminded me of Patrick White’s savage characterisation of women in The Aunt’s Story.  No wonder that His Excellency’s true motive for restricting his own household to the newly imposed ration is to ‘starve his own wife, short of killing her, until her pious gut cracked’(p3).  Here is our first glimpse of her:

So Halloran turned the handle, and came into the room where Mrs Blythe used all the day on her devotions and her leg ulcers.  She sat in a heavy, straight backed Italianate chair.  Her feet rested on a hassock, and there was a rug over her knees.  On a table to her left stood all that was needed to rub, anoint, lance, probe, cauterize and dress her leg.  A squat stone lamp, the spoons and needles and lancet, the rags and jars of stewing poultice were, all together, the staple of her life. For Mrs Blythe had been blessed with a putrid leg as other women are with children. (p4)

Don’t assume, however, that Keneally is misogynist.  Characters of both genders come in for his excoriating pen.  Bring Larks and Heroes is set in an unidentified British penal colony – somewhere remote from regular supply ships and with extremes of climate that add to the misery.  The novel is unsparing in its depiction of the horrors of convict life, reminiscent of For the Term of His Natural Life (see my review) but it satirises the redemption that brings Clarke’s novel to its conclusion.  There are no innocent Sylvias or cleansing waves to wash away sin in Keneally’s novel.

Novels depicting humanity in extremis are not uncommon.  From William Golding’s Lord of the Flies to Solzhenitsyn’s Cancer Ward we see the struggles of conscience when pushed to the limit.  In Keneally’s microcosm of society, Original Sin flourishes.  The Seven Deadly Sins are all there one way or another - wrath, greed, sloth, gluttony, lust, envy, and pride, and in this place where the gaoler suffers hunger and isolation much as the prisoner does, absolute power corrupts absolutely too.

Official sloth sees a eunuch convicted of rape and a man’s prison term unjustly extended; this same man is flogged because of an officer’s lust for revenge and greed for power.  Aboriginal women are crudely used to satisfy lust, while Mrs Blythe’s pride in her own virtue sabotages the only innocent love there is in the novel.  The Commissar satisfies his gluttony by stealing extra rations, and wrath pervades the entire novel.  All the characters, free or bond, envy the life they have lost…

The central character is Phelim Halloran, a complex Irishman whose conscience is tortured by his wavering faith in God and man.  He is the only character capable of love and honour, but tempted by fate, he is only too human.    As the novel reaches its horrific conclusion, Halloran’s poetry is given to His Excellency as a reminder of the ‘varied herd he ruled’ and we see him consign to the flames Halloran’s symbols of hope and redemption – the larks and heroes of the novel’s title.  It is the humanity of these other characters that is called into question by this unforgettable novel.

Now that Bring Larks and Heroes is readily available, I hope that many readers will enjoy it too.

Author: Thomas Keneally
Title: Bring Larks and Heroes
Publisher: Cassell Australia 1967 (First Edition)
ISBN: none, for this edition
Source: Personal library

Availability:
Fishpond: Bring Larks and Heroes (Text Classics)
Book Depository: Bring Larks and Heroes

Posted by: Lisa Hill | May 23, 2012

Meet an Aussie Author: Simon Cleary


Closer to StoneSimon Cleary is the author of two fabulous books: The Comfort of Figs and  Closer to Stone.

He was born in Toowoomba in 1968, and attended university in Brisbane.  He has lived in Sydney and Melbourne and travelled widely in Europe, Africa and North America.  He now lives in Brisbane.

The Comfort of FigsHis first novel, The Comfort of Figs, was shortlisted for the Queensland Premier’s Literary Unpublshed Manuscript Awards in 2005 after which he became Emerging Writer in Residence at the Queensland Writers’ Centre.  The novel was then published by UQP in 2008 and received very favourable reviews (including mine, see it here).   His new novel is Closer to Stone (UQP, 2012), which not only passes the ‘Second Novel’ hurdle with flying colours but also shows an author not afraid to tackle confronting contemporary issues. (You can see my review here and a Sensational Snippet here.)

I think Simon is a great new talent so I was delighted when Simon agreed to participate in Meet an Aussie Author! Here are his answers to my questions:

I was born on the rim of the Great Dividing Range in Toowoomba, overlooking the Lockyer Valley.

When I was a child I wrote directions on treasure maps to help navigate the lantana tunnels in the bush behind my childhood home.

The person who encouraged/inspired/mentored me to write is/was my father – a man who composed a thousand poems across his life-time as gifts for friends and family to mark events in their lives.

I write in the early morning when the world is quiet and the night has done its work sweeping my mind clean of the previous day’s clutter.

I write when I can, as much as I can.

Research is seductive.

I keep my published work/s on the shelves of my library.

On the day my first book was published, I … I can’t recall where I was or what I was doing that day. But I do remember when I got news that my first poem had been published, many years before.  I was ringing back to Australia from the main post office in Bamako, Mali.   My exhilaration was spontaneous and unrestrained.  To the crowded African post office, it must have been comical to watch, if not downright bizarre.

At the moment I’m writing a piece on what a novelist might have to say about ‘multiculturalism’ – an exploration of the relationship between imagination and empathy.

When I’m stuck for an idea/word/phrase, I  listen to music, walk, make a coffee, or sleep.  In my experience, if it’s important enough, the subconscious will find it.

***

I am rather chuffed to learn that Simon and I have something in common – because not only did my mother write poems for her family too, but we also had treasure hunts when we were kids and spent ages dreaming up maps with obscure clues!

To buy Simon’s books, click the book covers above, or these links:


Me and Mr Booker Congratulations to Cory Taylor and the Text Publishing company for winning the Commonwealth Writers Prize (Pacific Region) with Me and Mr Booker.

The other regional winners were

Regional Winner, Africa
Jacques Strauss, South Africa The Dubious Salvation of Jack V, Jonathan Cape

Regional Winner, Asia
Shehan Karunatilaka, Sri Lanka, Chinaman: The Legend of Pradeep Mathew, Random House

Regional Winner, Canada and Europe
Riel Nason, Canada, The Town that Drowned, Goose Lane Editions

Regional Winner, Caribbean
Alecia McKenzie, Jamaica, Sweetheart, Peepal Tree Press


Grace Beside MeExcellent news!  I approached Magabala Books to donate a book by an indigenous author as a giveaway for Indigenous Literature Week here at ANZ LitLovers in July, and they have kindly agreed.

Launched in 1987, Magabala Books is a not-for-profit Indigenous publishing house based in Broome, W.A. that aims to promote, preserve and publish Indigenous Australian culture.  They have offered to donate a copy of Grace Beside Me, which has just been released.  It’s by Sue McPherson, who was winner of the inaugural black&write! kuril dhagan Indigenous Writing Fellowship.

Be in it to win it: Any Australian readers who signs up for Indigenous Literature Week is eligible (including those who’ve already signed).  (I’m sorry, Kiwis!) Please indicate your interest in the Comments box below and I’ll select a winner using a random generator by the end of this week i.e. Friday May 24th.

All entries from Australian residents will be eligible but it is a condition of entry that if you are the winner, you must contact me with a postal address to pass on to Magabala Books by the deadline that will be specified in the blog post that announces the winner.   (I’ll redraw if this deadline isn’t met).

Here’s the blurb for Grace Beside Me from the Magabala press release:

Written from teenager girl Fuzzy Mac’s perspective, Grace Beside Me is a  quirky, warmly rendered story of home and family life in a small town. The black&write! judges remarked on the authentic feel of the Indigenous home life of Fuzzy Mac and her grandparents — her guardians since the death of her mother.

Awkward episodes of teen rivalry and romance sit happily alongside the mystery of Gran’s visions and an encounter with a ghost. The story sits against a backdrop of amazing characters including the holocaust survivor who went to school with Einstein; the sleazy, once-good-looking Mayor; the little priest always rushing off to bury someone before the heat gets to them; the wife basher up the road; Lola’s Forest, dedicated to Lola, a traditional Aboriginal woman who met Ned Kelly — and Nan and Pop.

Grace Beside Me interweaves the mundane with the profound and the spiritual — it is full of wisdom and good advice (Fuzzy call’s Nan ‘the queen of all knowing’) on everything from how to to ‘sit a while’ in the bush and connect with country to how to properly hang out the washing.

Sue McPherson is a visual artist living in Eumundi, Queensland. She was born in Sydney to an Aboriginal mother, from Wiradjuri country.  Sue was adopted into the McPherson family, landowners from the Batlow area in News South Wales, when she was very young.

Sue was inspired to write by her two teenage sons. She took a writing workshop in Coolum and, three months later, started writing Grace Beside Me. 

You can buy Grace Beside Me from Fishpond, from Magabala online and good book stores.

Posted by: Lisa Hill | May 20, 2012

What the Family Needed, by Steven Amsterdam


Things We Didn't See ComingWhat the Family NeededMelbourne author Steven Amsterdam came to international attention in 2009 with the publication of his first book, Things We Didn’t See Coming which won The Age Book of the Year and was longlisted for the Guardian First Book Award.  This second novel, What the Family Needed shows no signs of Second Book Syndrome: his style is inventive and playful.  That playfulness, and the sense that there might be liberating alternate realities reminds me of John Banville’s The Infinities (see my review), and has the same preoccupation with fraught family relationships.  But there the similarities end: What the Family Needed is uniquely original.  (Oops, Amsterdam’s inventiveness is such a temptation towards tautology!)

The title, as the reader discovers in the concluding chapter, is apt.  The story begins with a family reunion of sorts: Ruth and her two children Giordana and Ben have moved in with Natalie and Peter and their sons Alek and Sasha because Ruth has left her husband.  Giordana’s is the first of multiple perspectives, each revealing events from their own point-of-view, from different points in the family’s timeline.  But from the normalcy of family life Amsterdam weaves a little magic: each character has a special gift, one that challenges the reader’s view of reality.  Giordana, for example, can become invisible, as and when she pleases.

This invisibility is not like H.G.Wells’ The Invisible Man , where invisibility is an irreversible curse that’s a catalyst for crime.  Griffin’s self-inflicted condition leaves him with few choices: invisible, he is a victim of small town rejection of anything that’s different, and then he is betrayed.  Amsterdam’s riff on this idea from Plato’s Ring of Gyges in The Republic is more sophisticated and more morally complex.

The Ring of Gyges is a parable which reveals how people would behave morally if they had no fear of being caught out.  Amsterdam asks, how would a teenage girl behave if she could eavesdrop on household conversations, overhear those uncensored adult discussions or follow an older sibling on a romantic assignation? How would a middle-aged woman use her knowledge of the innermost thoughts of other people, in her work as a palliative care nurse or in her own love life?  Would a troubled soul who could fly, soar away never to return - or is there a homing instinct? Would it be satisfying to change the past to ease regret?

It is the chapter about Peter, lost in a morass of grief after the sudden death of his wife, that moved me most.  Peter receives what he thinks is a senseless gift: he can wish for peaches out of season, but not for the one thing he really wants.

Peter’s sister-in-law has come to sort out Natalie’s clothes…

Ruth wrapped herself in Natalie’s pale blue cardigan, saying, ‘I always loved this, but I don’t know if I could stand to wear it.’

Peter nodded once, to let her know that it was all right if she did.  Natalie used to put it on for gardening.  It mystified him, but she always managed to keep it spotless.  Would he be able to stand it if Ruth wore it till it was stained and moth-eaten? If she didn’t take it, could he let it go to the Salvation Army – that recycler of lives? Yes, yes.  He tried to consider it all.  The clothes were there, they were connected to Natalie, but they weren’t her.  He saw each garment in crisp detail.  They didn’t make her her, any more than Peter had – or any more than she had made him him.  Peter had not been her conductor and Natalie had not been his.  This was the clarity he had been waiting for.  You live your life adjusting the notes, meddling with tempos.  You silence the brass, chase crescendos, but only you get to be the conductor.  They had stood next to each other on different podiums, waving their little sticks for all those years.

This was why he couldn’t bring her back.  It was as if the power itself had come to underline this point: it was his life to master.  The thought that they were truly different people didn’t depress him now.  No, it made his mind rise, excited him that they had stayed in tune for as long as they had.  They had done well.  (p228)

This is true wisdom, and the imagery is perfect.

Is there magic in this book?  Magic realism only ‘works’ if it belongs in the story.  There should be no ‘huh??’ moment to befuddle or irritate the reader.  Karenlee Thompson’s wizardry works in 8 States of Catastrophe, and Glenda Guest’s works in Siddon Rock because all of us moving through the vast Australian Outback have yearned to be there without the intervening miles.  These storytellers have vanquished ‘are we there yet?’ with a stroke of the pen.  But Amsterdam’s story is urban, its map is the map of the human soul muddling around in the 21st century family.  His magic is ambiguous: we are never really sure if the gifts these characters discover come from their own inner life, or from Alek, with a mental illness that shapes a different reality for himself.  From the outset, it doesn’t matter.  The magic, real or imagined, works.  It reveals the mysteries of life to the characters…

Amsterdam’s characterisation shifts across generations with authentic portraits.  Giordana’s perspective is darkly comic, self-deprecating and wry, as an adolescent view of the world often is; Ruth’s middle-aged persona is self-doubting yet professionally confident.  The passage of time is lightly sketched: Amsterdam has an impressionist style that avoids cumbersome detail.

I liked this book very much, and am glad I hoarded a copy of Things We Didn’t See Coming.  (It’s lurking on the A shelf, I hope!)

Highly recommended.

This book has been widely reviewed.  Cate Kennedy at The Monthly enjoyed Amsterdam’s ‘ferocious intelligence and playful curiosity’; Greg Day at the SMH had reservations about its ambiguities

You can find out more about Steven Amsterdam here.

Author: Steve Amsterdam
Title: What the Family Needed
Publisher: Sleepers Publishing 2011
ISBN: 9781742702117
Source: Personal Library, purchased from Readings $24.95

Availability: What the Family Needed
Book Depository: What the Family Needed

Posted by: Lisa Hill | May 18, 2012

2012 SMH Best Young Novelists Awards


This information comes via Twitter (so I hope it’s accurate!)

The 2012 SMH Best Young Novelists Awards were announced at the Sydney Writers’ Festival today.

Jennifer Mills for Gone (see my review) and a Sensational Snippet

Melanie Joosten for Berlin Syndrome (see my review)

Rohan Wilson for The Roving Party (see my review) and a Sensational Snippet

Congratulations to these wonderful young novelists, their editors and publishers!

Gone Berlin Syndrome The Roving Party

Posted by: Lisa Hill | May 18, 2012

Announcing Indigenous Literature Week at ANZ LitLovers


Further to my previous post back in April, I am pleased to announce ANZ LitLovers is hosting Indigenous Writers Week in the first week in July to coincide with NAIDOC Week here in Australia.

However, your choices aren’t restricted just to Aboriginal, Torres Strait Islander and Maori literature.   Participants are welcome to join in reading indigenous literature from anywhere in the world, from Canada to Guyana, from Native American to Basque to Pashtun or Ixcatec. (For a list of indigenous people of the world, see this list at Wikipedia.) As to how we define indigenous, that’s up to indigenous people themselves.  If they identify as indigenous themselves, well, that’s good enough for me.

I’d love it if you join me in exploring the fascinating world of indigenous story-telling - so – with help from many fantastic contributors, I have generated a reading list to inspire you. For reasons of space and time and personal preference  my reading list is limited to literary fiction titles by indigenous Australian and New Zealand authors but participants are free to choose any form you like – short story, memoir, biography, whatever takes your fancy!  The permanent link to the reading list is on the ANZLL Books You Must Read page in the top menu, and you can also find it in the list of Pages near the bottom of the RH Menu.

Thanks to my fellow book bloggers – Kinna at Kinna Reads, Iris on Books, and Kim from Reading Matters,  who inspired me to try this:)

Interested?  Sign up now to give yourself time to source the book you want to read, and please, leave a comment here on this page after signing up.  This post will become the host page where you can post your comments about the book and/or a link to your review on your own blog or at GoodReads or Library Thing.

To sign up

1. If you have a blog or a Library Thing or GoodReads account, click on the Mr Linky image below.  Mr Linky will open up on a new page where you enter your name and blog/LT or GR URL.  If you don’t have a blog or one of these accounts, just use the comments box below.

2. Tell us what you think you might read in the comments box.  (You can always change your mind later if you want to).

If you want to check that you’ve signed up with Mr Linky, refresh this page, click on the widget again, and you will see something that looks like this and you should be able to see your name on it.

Posted by: Lisa Hill | May 17, 2012

Blood, by Tony Birch


Miles Franklin c1940 (Source: Wikipedia)

BloodBlood,  a debut novel by Tony Birch, has been shortlisted for the 2012 Miles Franklin Award.

In the blurb at Fishpond, it’s described as ‘an epic moral fable, a gothic odyssey set on the back roads of Australia’.  It’s the story of two kids, thirteen-year-old Jesse and his little sister Rachel, aged eight.  They have the kind of mother they’d be better off without.  Her name is Gwen.

That’s not me, sitting in judgement.  It’s Jesse, who narrates this story, who tells us so.    Gwen’s life is a disaster, and her adolescent son has finally given up on her.     She’s been on drugs and drink throughout his whole life,  there’s been a succession of men but the relationships never last, and she makes endless promises that she never keeps.  She has occasional dead-end jobs but they never have any money, and he’s learned not only not to have any qualms about skipping out on the rent, but also how to steal petrol, food from supermarkets and anything else they need.

There’s no affection in these kids’ lives.  They have no friends their own ages, no extended family to offer support except a pallid grandfather.  They have no amusements except obsolete TVs scrounged from nature-strips:  Gwen doesn’t even do Christmas.  She’s always angry, and constantly bawls commands at the kids.  Jesse has learned the hard way that for now, he has to just keep quiet, and do what she says.

What Jesse craves is a quiet, routine sort of life.  But apart from a transient episode when Gwen takes up with an ex-con called Jon, and a sojourn at his grandfather’s, he doesn’t get that.  This is a bleak life indeed.

(The alternative view of masculinity offered by Jon and the possibility of an ex-con as model parent is refreshing.  Who knew that blokes learned to bake cakes in the nick?)

So as far as Jesse is concerned, the only person Gwen cares about is herself.  The bond that matters to him is the one he has with Rachel, and he’s been taking responsibility for her since she was born.  In the chaos of their lives, school is only ever intermittent, and welfare authorities have little chance of catching up with them because they’re always on the move.  On the one occasion when they did, he caused awful trouble for a foster-carer because they separated him from his sister.  He is determined that they will always be together.

Trouble looms as Gwen loses her looks, and the men that she attracts are violent, ruthless criminals.  At the same time, Jesse becomes old enough to imagine a different future for himself, but not old enough to realise the risks involved in antagonising the kind of men his feckless mother has brought into their lives.

Birch uses allusions from To Kill A Mockingbird to conjure scenes from the B/W film: Rachel is inspired to have courage like Scout’s;  Jesse quickly suppresses his longing for a father like Atticus.  But even for a moral fable, I found this book too black-and-white in conception, like many YA novels.  The perspective is adolescent but there is no coming-of-age nor redemption.  While the bad guys are stock characters who deserve what they get without a backward glance, Jesse’s view of his mother is hyper-critical: she has no redeeming features and there is only blame for the hardships that – in the overlong lead-up to the road journey - are laid on with a trowel.

There is no psychological insight: the boy moves on only from grim resignation to mad heroic impulse and dogged determination to survive the odyssey that ensues.  Jesse’s belief in his ability to outwit everyone else is sadly only too similar to his mother’s immature self-delusions. He even mimics Gwen’s demands for unquestioning obedience when he invokes Rachel’s blind trust, telling her that she must always do what he says for their survival.  The plot seems to conspire in Jesse’s view of himself as a saviour who must do whatever it takes, with Rachel trailing after him.  Two events which masquerade as heroic exploits stretch credibility: I can hear the Year 9 English classes discussing the question of justification already…

While some readers may find that the simple prose suits the age of the narrator and the bleak tone of the book, I found it lacking in the literary qualities that I look for in Miles Franklin nominations.   This passage comes from a page selected at random: two savage dogs are circling their car.

The dogs went quiet all of a sudden.  I looked across the yard and saw an old man hobbling towards the car.  He was dragging a leather whip behind him.  His skin was black and his bare arms looked like charcoaled tree branches.
He stopped and spoke quietly to the dogs.  ‘Get off, you fellas, get off.’
When they didn’t move he threw his arm back and cracked the whip across the back of the dog at Gwen’s window.  It jumped in the air and slammed itself against the car door. Rachel screamed and the dog circling the car took off from where it had come from, yelping in pain, like it had been whipped too.
The old man gave the second dog a couple more cracks before it gave up.  It dropped down from the car, looked at the old man and opened the side of its mouth and snarled.  Yellow froth dripped from its cracked tongue.  The old man raised the whip in the air to be sure the dog got a good look at it.
‘You get off, old fella.  Or you can have some more of this, here.  You don’t wanna try me, boy.’
(p124)

Macquarie PEN Anthology of Aboriginal LiteratureHowever, Tony Birch’s poetry and other writing excerpted in the Macquarie PEN Anthology of Aboriginal Literature is stunning, with striking imagery and a powerful emotional punch.  Here’s an example, which shows that Birch’s plain style in Blood is an authorial choice.

 Beruk moves quietly through the canyons of the city – all is stone still now. He passes the winking lights – imitating life.  He listens for machines grinding to failure.  Beruk obseves his reflection in the flaws of glass, now inhabited by the petrified few.
(‘The True History of Beruk’, in The Macquarie PEN Anthology of Aboriginal Literature, edited by Anita Heiss and Peter Minter, Allen & Unwin, 2008)

Jo Case reviewed Blood for Readings and found that it ‘delivers edge-of-your-seat suspense and engrossing characterisation in equal measures’, while Conrad Walters at the SMH thought that Birch ‘deftly balances the naiveté of youth and insights forged through hardship’. And obviously the Miles Franklin judges loved it!

Author: Tony Birch
Title: Blood
Publisher: UQP (University of Queensland Press), 2011
ISBN: 9780702239274
Source: Review copy courtesy of UQP

Availability:
Fishpond: Blood
Book Depository: Blood
Or direct from UQP

Posted by: Lisa Hill | May 16, 2012

2012 Winner of the National Biography Award


The Many Worlds of R.H. Mathews: In Search of an Australian AnthropologistThe winner of 2012 Winner of the National Biography Award is Dr Martin Thomas, for his 2011 biography, The Many Worlds of R. H. Mathews: In Search of an Australian Anthropologist.  The prize is worth $25,000.

Mathews was a 19th century anthropologist, so this biography will interest many people who are keen to learn more about the cultural history of our indigenous peoples.

To read more about the award, click here.

Congratulations to the winner and to all the finalists.

Availability:
Fishpond; The Many Worlds of R.H. Mathews: In Search of an Australian Anthropologist


Blooms of Darkness

Well, 24 hours ago the Shadow IFFP announced its choice of winner for the Independent Foreign Fiction Prize: we selected From the Mouth of the Whale  by Sjon.  All of us felt that it was an exceptionally good book and were happy to endorse it as our winner.

However today in London the actual winner was announced – and I’m just as pleased to see that Blooms of Darkness by Israeli author Aharon Appelfeld was the official winner.  It’s a very fine book, and you can see my review here.

My fellow juror-and-conspirator from Australia, Tony from Tony’s Reading List has written a thoughtful post (in his usual inimitable style!) about the experience of contributing to one of these Shadow juries, and well, I couldn’t have said it better myself.  Check it out here.

The real winners, I think, are those who take a step out of their comfort zone and read a book in translation.  As the chair of the Shadow Jury, Stu from Winston’s Dad often says, it’s an opportunity to ‘read the world one book  at a time’!

Check out some of the other Translated Books I’ve reviewed by clicking here, or on the tag in the RH menu.

To my fellow jurors Stu, Gary, Mark, Rob, Simon and Tony- thanks, gentlemen!

Author: Aharon Appelfeld
Title: Blooms of Darkness, A Novel
Translated from the Hebrew by Jeffrey M. Green
Publisher: Schocken Books, 2010
ISBN: 9780805242805

Availability:
Fishpond: Blooms of Darkness
Book Depository: Blooms of Darkness

Posted by: Lisa Hill | May 14, 2012

2012 Kibble and Dobbie Award shortlists


The 2012 Kibble and Dobbie Award shortlists have been announced. The winners will be announced on July 25th.

According to the Trust website:

The Awards recognise the works of women writers of fiction or non-fiction classified as ‘life writing’. This includes novels, autobiographies, biographies, literature and any writing with a strong personal element.

The Kibble Literary Award for Women Writers is worth $30,000 and recognises the work of established women writers.  The nominees are

The Dobbie Encouragement Award, worth $5000, is ‘for accomplished work of a first published female writer’.  The nominees are

Congratulations to all the authors, editors and publishers!

Posted by: Lisa Hill | May 14, 2012

Closer to Stone, by Simon Cleary


Closer to StoneSimon Cleary’s second novel, Closer to Stone is a stunning novel. It opens in Casablanca, where (as shown in the Sensational Snippet that I posted last week) the central character Bas Adams is overwhelmed by a culture completely alien to a country boy from The Springs near Toowoomba.  He is on a quest to find his missing brother.

Bas has lived in the shadow of his more impressive older brother since childhood.  The boys’ bombastic father makes no attempt to conceal his preference for Jack, who has fulfilled the family’s military destiny by becoming a peace-keeper with the UN in the Western Sahara.  It is unthinkable that his mysterious disappearance could be desertion.  Bas is expected to put his (by inference, trivial) work as a sculptor on hold and to find out what’s happened.  And despite some vaguely ambivalent feelings, Bas, because he loves his brother, does what he’s told.  He’s not a psychologically strong personality like his brother, he’s a follower.

Deserts, despite dangers well-known to any Aussie, seem to be romantic places, and Cleary masterfully evokes the ascetic beauty of the Sahara and its isolated settlements.  Images from the films The English Patient and Lawrence of Arabia spring to mind; we feel the winds, we can almost taste the gritty sands.  A laconic Aussie called Logan at the military base, and a chance meeting with a beautiful American volunteer called Sophe provide leads, and Bas – no longer alone – sets off for places ever more remote.  Ironically, the journey seems to become a little safer as public transport and corrupt officials in larger towns are left behind, but private transport over rough roads is rugged indeed. The discomfort of bouncing around on the tray of a ute in extremes of heat and cold is visceral.  And there are still significant hazards, not the least of which is suspicion and hostility against westerners who don’t respect the local culture.

Bas, blundering through a culture he doesn’t understand, does his best.  He reads his guide-book obsessively, he adjusts to a backpacker kind of life without any of the pleasures of the trip.  But  he never learns more than the most rudimentary Arabic, relying instead on his school French (which is, of course, the language of the only too recently removed French Occupation).  What’s more, his own faith is Catholic and he’s affronted when Lhoussine, a passenger on the bus finds the Bible wanting in comparison to the Qur’an.  Bas surprises himself a bit with his own defensive reaction: although he was moved by religious ceremony as a boy and he has nostalgic memories of his dead mother’s Book of Saints, his religion in adult life has been low-key.  He’s had no experience of religious extremism, and is mildly surprised by Logan’s scorn for religious schools which teach children to chant a holy book and not much else.  Bas is completely taken aback when he’s harshly rebuked for depicting the human form in a small scupture that he’s made.

At this stage, however, he’s prepared to consider that Islamic art captures a kind of purity, because as a sculptor, he sometimes feels a kind of ambivalence about the assault on the stone.

Nothing in the world of The Springs had perpared me for this.  Suddenly all those Arabesques I’d seen, all those tiled mosaics on the floors of those hotel foyers began to make sense.  The fading hennaed patterns on Sophe’s hands when she held them out to me.  Look, see. Flowers and plants indivisible.  An infinite pattern extending beyond the visible world into the eternal.

A part of me had registered the absence but hadn’t yet translated it into thought.  Just another of the countless things that had disturbed me since I’d been there, unsettling in a way I hadn’t even realised.  Sometimes the most profound things are the most difficult to see.  That to introduce the human into art might be an affront to the perfection of God.

My own nagging thought came back: that carving stone, no matter the image, is an affront to beauty. (p152)

Naïve he may be, and still hidebound by the kind of insular life he’s led, nevertheless he is vaguely open to considering ideas from a different point of view.   And so he is utterly unprepared psychologically for an act of terrorism which transforms his life.

Tackling motives for and responses to terrorism is a brave venture, for any author.  It’s fraught territory.  When the novel becomes a meditation on of a change of heart provoked by religious extremism (both Christian and Islamic) it risks censure from both ends of the tolerance/intolerance continuum.  It won’t please moralists of righteous anger who preach Old Testament retribution or moralists in opposition, those who preach forgiveness.  We have seen this dichotomy for ourselves when the bereaved of 9/11 and the Bali bombings are interviewed.  Cleary’s depiction of Bas’s response seems utterly realistic to me but is the first I’ve seen so bravely tackled in literature. While Bas’s tortured path towards redemption made me feel uneasy, I think the power of fiction to open a window on feelings usually suppressed is not to be denied.

This is a signficant, thoughtful and thought-provoking book.

Angela Meyer reviewed the novel for the SMH as did Jay Daniel Thompson for The Age.

Author: Simon Cleary
Title: Closer to Stone
Publisher: UQP (University of Queensland Press), 2012
ISBN: 9780702239229
Source: Review copy courtesy of UQP

Availability:
Fishpond: Closer to Stone
Or direct from UQP

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