Posted by: Lisa Hill | January 28, 2012

In a Strange Room by Damon Galgut

In a Strange RoomIn a Strange Room is a strange, unsettling trio of novellas about a young man, Damon, who makes a series of unresolved journeys.  The author, Damon Galgut acknowledges that this book is autobiographical, and indeed it’s rather like a memoir written sometimes in the first person and at other times as if his older self is observing his younger self. The tone is melancholy, and the act of reading it feels somehow intrusive, as if snooping in a diary.

The young Damon is born in South Africa but does not feel as if he belongs there, though that is where he aimlessly returns when his wanderings fail to resolve his loneliness.  He aches to connect with others, but does not know how.  Conversations begin, falter and drift away.  This is the pattern of his relationships.

BEWARE: SPOILERS

His first inconclusive journey is with a German hiker called Reiner.  They fall into travelling together by accident, and together they wander through Greece to see the ruins at Mycenae.  Reiner seems to be a controlling personality, who uses silences to exert power.  Back in South Africa Damon is unsettled and resolves to try to develop the relationship.  He invites Reiner to travel with him to Lesotho, but the same awkwardness is the result.

On his second trip Damon remains in Africa, travelling through Nigeria, Tanzania and Malawi.  In contrast to the claustrophobic non-relationship with Reiner, he interacts with more people, most significantly the siblings Jerome and Alice.  In an almost comic-opera sequence that isn’t funny at all, he  vacillates over continuing the journey with them, decides not to, changes his mind, gets lost and runs into visa problems while pursuing them, and finally joins the group again only to find that he had gone through all these dramas and they were not really bothered about whether he was there or not.  But they are kind to him in a desultory way and eventually he takes up their offer to visit them at home in Switzerland, only to feel uncomfortable and out-of-place once he gets there…

His third journey is the most harrowing because he undertakes to look after Anna, whose mental health is on the brink and he over-estimates his ability to help her and his capacity to be there for her as much as she needs.  She is actually beyond the help of any well-meaning friend; she is in urgent need of professional care, which is impossible to organise properly in Goa (India).  This story is called The Guardian, but it’s another example of dashed hopes because he isn’t able to protect Anna from herself.

Each of these failures to connect arise from his inability to understand himself or others.  Nothing turns out as he hopes because he fears intimacy and interdependence.  He is tormented by conscience, anxiety and guilt, and these moments of introspection are marked by a curious interweaving of first and third person narration.

He sees Reiner a little way off, on a boulder at the edge of the cliff, leaning against the abyss.  What passes across his mind then, fleetingly, wordless, is the urge to push, one tiny movement of my hands and he is gone.  Where does it come from, this thought of murder surfacing so casually amongst the everyday debris of my brain and then sinking away again.  (p46, underlining mine)

The title comes from William Faulkner:

Then he sits in the sun, listening to the water, reading.  In a strange room, you must empty yourself for sleep.  And before you are emptied for sleep, what are you.  And when you are emptied for sleep, you are not.  And when you are filled with sleep, you never were.  The words come to him from a long way off.  (p46)

These ambiguities make In a Strange Room challenging to read.  It inverts the travel/adventure genre completely: there is no revelling in the interest, excitement or beauty of the places they visited so that the reader wonders why they are there.  Nothing much happens: like Damon we are hoping that something will make these wanderings satisfying or conclusive, but it doesn’t.  It’s more of a quiet examination of emotion, and memory.  It’s quite haunting…the plot details, such as they are, fade, but Damon’s perceptions of futility and emptiness remain long after the book is closed.

The Good DoctorThe ImpostorIn a Strange Room was shortlisted for the 2010 Booker Prize.   I also enjoyed The Impostor,  a gripping story of crime, obsession and secrecy in the new South Africa (see my review) and The Good Doctor which quietly explored the impact of deep-rooted post-apartheid social and political tensions on an idealistic young doctor.  It was shortlisted for the 2003 Booker and also the Commonwealth Writers Prize.  All three books are very different to one another, showing that Galgut is a writer not afraid to experiment with style and form.  I like his work very much.

PS I had bought this book last year, but was happy to read it to support the 2012 Africa Reading Challenge at Kinna Reads.

Author: Damon Galgut
Title: In a Strange Room
Publisher: Atlantic Books (Grove Atlantic) eBook edition 2010
ISBN: 9781848873254
Source: Personal library, purchased for the Kindle from Amazon

Availability:
Fishpond: In a Strange Room
Book Depository: In a Strange Room

Posted by: Lisa Hill | January 27, 2012

Good news for Melbourne booklovers: Reader’s Feast is back!

Booklovers of Melbourne will be delighted to hear that Reader’s Feast is back.

A casualty of the Red Book group financial disaster, the previous Reader’s Feast  book store on the corner of Bourke & Swanston closed in the middle of the year, but prior to that was always conveniently ‘on my way’ on any trip to the CBD.  It had the biggest and best range of books dear to my heart: classics, Australian literary fiction, and audio books.  The staff were knowledgeable and passionate about books.  They also offered great author talks and book launches, and it was there that I had my copy of The Sea autographed by John Banville, and it was there that I met Kate Grenville, one of my favourite Aussie authors.  The closure of this store was a loss to the intellectual heart of our city, and most embarrassing of all, it meant that there was no serious book store right in the heart of Melbourne, so recently proclaimed a UNESCO City of Literature.

Well, a new business, Reader’s Feast (Vic) Pty Ltd, under the same dynamic leadership of Mary Dalmau, opened late last year  at 162 Collins Street, Melbourne 3000.  That’s the iconic Georges’ building, for those who know Melbourne well.

They’re kicking off their 2012 events calendar with the Crime and Justice Festival so if you are a fan of the genre, make sure you check it out.

An email from Mary today tells me that their  hours of opening are:

Monday to Wednesday, 9.30am to 6pm;
Thursday 9.30am to 7pm;
Friday 9.30am to 8 pm;
Saturday 10am to 5pm; and
Sunday 11am to 4pm.

Contact details and social media connections are as follows:

Reader’s Feast Bookstore
162 Collins Street
Melbourne Vic. 3000
Also accessible from 195 Little Collins St
PH: 03 9662 4699
Email: readers@readersfeast.com.au
Website: www.readersfeast.com.au
www.facebook.com/readersfeastbooksellers
www.twitter.com/readersfeastbks

Posted by: Lisa Hill | January 26, 2012

The Chemistry of Tears by Peter Carey

The Chemistry of TearsClockwork is a fascinating concept to weave through a story in the digital age.  I am old enough to remember winding my first watch but it is many years now since I have had anything other than a digital watch.  If I put my mind to considering whether our household has any clockwork mechanisms at all, all I can come up with is a (somewhat twee) Christmas decoration featuring Santa on a music-box merry-go-round and our (rather unreliable) 1930s mantel clock.  That’s probably typical of most households today.  Clockwork has been relegated to the realm of museums, antiques, and nostalgia.

But in a splendid return to the dazzling form which produced Oscar and Lucinda, Peter Carey’s new novel, The Chemistry of Tears, is a deliciously eccentric tale of obsession, centring on clockwork, and grief.

Hidden grief is probably more common than we know. In Carey’s tale, Catherine Gehrig is The Other Woman, trying to grieve in secret for Matthew Tinsdale who, until his untimely death, is her colleague and lover at London’s ‘Swinburne Museum’.  No one else knew about their affair, (or so she thought) so she tries to deal with her loss without any of the support that a grieving widow could take for granted.  She can’t attend the funeral.  She receives no consolatory sympathy cards.  None of the stilted, awkward words of well-meaning friends ease her way through the raw passage of grief through the human heart.

But it is Carey writing this novel, so Catherine’s journey is anything but dignified.  Naughty man, he makes his readers smile, chuckle, and laugh out loud at poor Catherine’s antics.  An obsessive and controlling personality, she is well-suited to her job as the first female horologist at the museum, but try as she might, her efforts to behave as an unfeeling mechanical creature are sabotaged by the madness of her overwhelming grief.

The director of the museum is an unlikely shining knight to rescue Catherine from herself; he has a sort of ‘God complex’ which manifests itself in interfering in other people’s personal relationships.  Eric Croft is privy to her secret, and he arranges for her to undertake an absorbing ‘special project’ in a private annexe to the museum, where she may sob obsessively (and delete incriminating emails) without invoking the perplexed curiosity of any colleagues.

Duck of Vaucanson (Wikipedia Commons, also reproduced in Carey’s book p24)

Catherine’s task is to reassemble the innumerable scattered clockwork parts of a 19th century automaton, an ingenious mechanical duck designed by M. Vaucanson.   (Such a duck did originally exist).  Croft provides her with an assistant, the clever and beautiful Amanda Snyde (who is more than she seems) and who spends her lunch time peering obsessively at screen images of the 2010 Deepwater Horizon Oil Spill in the Gulf of Mexico on her ‘Frankenpod’.   Croft also on Catherine’s behalf negotiates his anarchic way through the inevitable bureaucratic mumbo-jumbo that bedevils all institutions these days, but she doesn’t make it easy for him, and she’s not spectacularly grateful either!

In Carey’s tale, the duck, a marvel of 19th century invention, was (or might have been) created to amuse a sick child by a father with an obsession to rival Catherine’s own.  Through journals she discovers in the box of parts, Catherine retraces his journey: Henry Blandling travels to Furtwangen in Germany, the home of craftsmen in clockwork, to have the duck made from plans he has found. It is a bizarre journey, parts of which left me occasionally confused as to what was going on.  This is partly because of the form that Carey has played with…

The plot is revealed in alternating chapters.  There is Catherine’s first person narrative, which isn’t always coherent due to, er, her indiscretions.   At times she is mad with grief, and at other times she’s just nutty.  Then there is Blandling’s narrative, which consists consisted of his eleven journals until, er, they became fragmented and had to be read in bits and pieces shreds. He’s not only nutty too, but he’s surrounded by characters not just nutty but also weird-and-scary enough to rival anything from a Grimm’s fairy tale.

With the German characters Carey’s whimsy is in full flight.  Frau Helga, Herr Sumper, the boy Carl aka The Genius and the fairytale collector M. Arnaud confuse and exasperate Blandling with their obsessions, their lies, their magic and their mysteries, and all the while poor Blandling does not know if he is chasing a dream for a son who may already be dead.  (We ought to feel sorry for him, but he’s not a very likeable character.  Too bad-tempered, too judgemental).

Fortunately, just as I was about to reread a complete chapter to try to unravel the tangled plot threads, Carey provided some advice in the form of Catherine’s reflections on her experience of reading Blandling’s journals:

It had been tantalizing to stare through a glass darkly, to see or intuit what had taken place in Furtwangen and Low Hall so long ago.  Reading in this way did not require that you interrogate the unclear word.  In fact you soon learned that what was initially confusing would never be clarified no matter how you stared and swore at it.  One learned to live with fuzziness and ambiguity as one never would in life. (p199)

So I am reprieved from trying to make sense of the fuzzy bits, it seems…

It’s interesting that Carey chose to set this novel in London, not New York where he’s been resident now for ages.  One mustn’t stereotype, but perhaps there is something quintessentially British about genuine eccentricity?  Or is London’s WW2 legacy of keeping a stiff upper lip, and adhering to the maxim to ‘keep calm and carry on’, better suited than a city lampooned for its excess of psychiatrists and grief counsellors?

I liked this novel much better than Parrot and Olivier in America!

Author: Peter Carey
Title: The Chemistry of Tears
Publisher: Hamish Hamilton (Penguin), 2012
ISBN: 9781926428154
Source: Review copy courtesy of Penguin Australia

Availability:
Fishpond: The Chemistry of Tears
Book Depository (Preorder only, as at the date of this post): The Chemistry of Tears

Posted by: Lisa Hill | January 25, 2012

2012 Indie Awards

The 2012 Indie Awards shortlist is out, winners to be announced on March 14th.  The awards honour the best Aussie books for the previous year in four categories: fiction, non-fiction, debut fiction and children’s books.  There’s also a  ’Book of the Year’ award.

Fiction

Non-Fiction

Debut Fiction

Children’s Books

Caleb's Crossing The Street Sweeper Foal's Bread Five Bells

Worse Things Happen at Sea: Tales of Life, Love, Family and the Everyday Beauty in Between NotebooksAfter WordsA Private Life: Fragments, Memories, Friends

Past the Shallows (1 Volume Set)All That I AmThe Roving PartyWatercolours

The Jewel Fish of Karnak The Little RefugeeThe Coming of the Whirlpool (Ship Kings)The 13-Storey Treehouse

Posted by: Lisa Hill | January 25, 2012

Sensational Snippets: Mateship with Birds

Everyman's Rules for Scientific LivingMateship with Birds

Did you love the quirky Everyman’s Rules for Scientific Living by Carrie Tiffany?  I did.  It was her first novel, shortlisted for The Orange Prize, the Miles Franklin Literary Award, the Guardian First Book Award and the Commonwealth Writer’s Prize.  It has been a long wait for her second novel, Mateship with Birds but from what I have read so far, (I’m up to page 28 and am hooked) the wait is worth it.

Here’s the publisher’s blurb:

On the outskirts of a country town in the early 1950s, a lonely farmer trains his binoculars on a raucous family of kookaburras roosting next to his dairy. But as Harry observes the birds through a year of feast, famine, birth, death, war, romance and song, his neighbour, Betty, has her own set of binoculars trained on him. Of Betty’s two fatherless children, it is Michael who gravitates towards the gentle man next door, and Harry, sensing Michael is ready to stretch his wings, decides to teach him the oldest lessons in the world. Harry knows all about girls. But how much does he know Betty? Mateship with Birds is a tender, witty novel of young lust and mature love. A glorious tale of innocence lost, it celebrates life on one small farm in a vast, ancient landscape, and a collection of misfits who question what a family might be.

 Have you ever wondered what a dairy farmer might be thinking as he undertakes the twice-daily toil of milking the herd?  This is a Sensational Snippet to whet your appetite for this enticing novel:

He moves slowly between each cow, going backwards and forwards into the engine room, checking the separator.  When the rhythm of the milking is well underway he lets his mind wander.  Harry entertains himself with the idea that the girls are a troupe – perhaps dancers or singers – and that he is their manager, responsible for their myriad complex travel arrangements and costumes and meals.  They are on some sort of vague world tour where they are much acclaimed for their talent and beauty.  Harry is a dedicated but exasperated manager, worn down by attending to all of their feminine needs and foibles.  He’s responsible too for their reputations.  When Babs leaves her stall at unexpected speed, her empty udder slapping slackly between her legs, he watches after her and feels ashamed on her behalf, hoping nobody has seen his good girl with her bloomers showing.  Harry shakes his head and finishes rinsing the udder in his hands – the tight bag of a milker in her first lactation.  Four cows to go now.  The pump is chugging along warmly.  Harry wonders what grand city they are in today.  He sees bold headlines in foreign newspapers, imagines them being met in the foyers of expensive hotels.  The sound of their breathing falls into line with the pulse of the cups inflating.  Harry is their conductor – he’s at the centre of an orchestra of pistons, lungs and udders.  The cows provide the wheezy melody, the milking machine bashes along underneath with its regular motorised beat.  It’s Harry’s music-de-milk and the dawn is only just breaking.

From Mateship with Birds by Carrie Tiffany, Picador, 2011 p 27 (purchased from Benn’s Books Bentleigh, $19.99)

Availability:

Fishpond:
Mateship with Birds  and UK buyers, you can pre-order now for the UK release in June with these links: 
Fishpond: Mateship with Birds or Book Depository: Mateship with Birds

Posted by: Lisa Hill | January 23, 2012

‘Classics Going to Waste’ by Michael Heyward

In a terrific article in The Age entitled ‘Classics Going to Waste’, Michael Heyward from Text Publishing argues that something should be done about the way Australian Classic literature is neglected:

‘We put our books and writers on the high shelf of the past, where we forget  about them. Imagine if our art galleries  decided to banish the works of Brett  Whiteley or Fred Williams to their darkened basements. Not for a year or two,  but a decade or two. That’s what we routinely do to so many significant writers  whose books are out of print’.

It’s wonderful news to read that many of our brilliant books of the past are going to be reissued by Text in their Text Classics series.

Read more: http://www.theage.com.au/opinion/society-and-culture/classics-going-to-waste-20120121-1qb9z.html#ixzz1kCIQPYqY

 

 

Posted by: Lisa Hill | January 22, 2012

A Dance to the Music of Time, by Anthony Powell

A Dance to the Music of Time: First MovementA Dance to the Music of Time: Second MovementA Dance to the Music of Time: Third MovementA Dance to the Music of Time: Fourth MovementA Dance to the Music of Time is a delicious book: I am loving every minute of reading it.  Originally comprising 12 separate novels published from 1951 to 1975 it now comes in four volumes and I’ve only read the first volume so far, but I am hooked. 

Sometimes compared to  Proust’s A La Recherche du Temps Perdu (Remembrance of Lost Time), Anthony Powell’s masterpiece might also be called a comedy of manners.  It is much easier to read than Proust, and not just because the sentences are shorter: it’s more amusing, less angst-ridden, and the ‘Britishness’ of its subtle ironies is part of its charm.

A clumsy summary might make this work seem like a soap-opera, so I shan’t try except to say that the novels follow the fortunes of a group of young men through their adolescence and adulthood, from the immediate post WW1 period to the early 1970s.  It begins when Jenkins, Templer, Stringham and Widmerpool are in the same house at Eton, and it moves on as they muddle their desultory way through and out of university and then into careers of one sort or another.  They muddle into and out of relationships too: love, business, artistic and so on.  Along the way there is a veritable cavalcade of eccentric and sometimes dubious characters from all walks of life.

The novel takes its name from a painting now in the Wallace Collection, in London, and the book-covers in the edition I have are details from the painting.

The Dance to the Music of Time, c 1640 by Poussin (Source: Wikipedia Commons)

In the very beginning of the book, the narrator, Nick Jenkins, reminiscing about the past, muses on the patterns of life:

These classical projections, and something from the fire, suddenly suggested Poussin’s scene in which the Seasons, hand in hand and facing outward, tread in rhythm to the notes of the lyre that the winged and naked greybeard plays. The image of Time brought thoughts of mortality: of human beings, facing outward like the Seasons, moving hand in hand in intricate measure, stepping slowly, methodically sometimes a trifle awkwardly, in evolutions that take recognisable shape: or breaking into seemingly meaningless gyrations, while partners disappear only to reappear again, once more giving pattern to the spectacle: unable to control the melody, unable, perhaps, to control the steps of the dance.

Jenkins is an engaging narrator. Mild and self-effacing, in this volume he is misled by his own inexperience into assumptions about his school friends; well into his twenties he is mystified by ‘girls’;  and he is naïve about ‘getting ahead’ until it belatedly dawns on him that some of his pals – including the unprepossessing Widmerpool – are unexpectedly becoming men of influence.  When he eventually begins work in a publishing house that specialises in art books, he is frustrated by the novelist St. John Clarke who’s supposed to write the introduction but delays so long that (a) a retrospective of the artist’s work comes and goes and (b) the art movement to be covered by the introduction is passé.   Jenkins does get a novel written by the end of the book, but no one seems very impressed.

The humour is subtle, but the occasional chuckle is impossible to suppress.  To give you a small taste of the author’s droll style, here’s an excerpt (from The Acceptance World, the third novel in the First Movement):

In fact to get rid of a secretary who performed his often difficult functions so effectively was a rash step on the part of a man who liked to be steered painlessly through the shoals and shallows of social life.  Indeed, looking back afterwards, the dismissal of Members might almost be regarded as a landmark in the general disintegration of society in its traditional form.  It was an act of individual folly on the part of St. John Clarke; a piece of recklessness that well illustrated the mixture of self-assurance and ennui which together contributed so much to form the state of mind of people like St. John Clarke at that time.  Of course I did not recognise its broader aspects then.  The duel between Members and Quiggin seemed merely an entertaining conflict to watch, rather than the significant crumbling of social foundations.  ( p122)

The book concludes with that most excruciating of all social occasions, a school reunion.  Widmerpool is on the rise; Templer’s wife has left him, and Stringham seems to be drinking too much.  On now to the Second Movement – what fun!

PS A Dance to the Music of Time is included in 1001 Books You Must Read Before You Die (the 2006 edition).  Here is part of the citation:

…as with Proust, the joy of these addictive novels does not lie in their plots or in the portrait they give, such as it is, of half a century of largely upper-class English life.  Powell’s success comes from his comedy, his characterisations, and his style – the first two of these being indivisible from the third.  Beautifully written, his assessments of the private experiences of his hero comfort us and steady our view of the world.  Everything, in his quiet but elegant prose, becomes matter for comedy and puzzlement. (p655)

Author: Anthony Powell
Title: A Dance to the Music of Time (1st Movement)
Publisher: University of Chicago Press, 1995
ISBN: 9780226677149
Source: Personal Library, purchased from the Book Depository

Availability:

Fishpond:

A Dance to the Music of Time: First Movement
A Dance to the Music of Time: Second Movement
A Dance to the Music of Time: Third Movement
A Dance to the Music of Time: Fourth Movement

Book Depository:

A Dance to the Music of Time: First Movement;
Second Movement;
Third Movement;and
Fourth Movement

Posted by: Lisa Hill | January 18, 2012

(For the Term of) His Natural Life, by Marcus Clarke#2

It was good fun reading this Aussie Classic with a bunch of mostly American readers in the Yahoo 19th century reading group.  As I was leading the discussion, I had to start by clearing up some assumptions about this strange land of ours downunder.  People overseas usually think of Australia as blue skies and sunshine, but for the purposes of this book, the hot and arid landscapes of Australia are irrelevant.  Our smallest and most southerly island state is nothing like that.  On the contrary, it’s the perfect setting for what has come to be known as Tasmanian Gothic.

Tasmania still has one of the great wilderness areas left on earth, and at the time that (For the Term of) His Natural Life was set in the early C19th, was a densely forested and hostile landscape except for the pasture lands where settlers were.   It was, as far as the authorities were concerned, the perfect place for a penal colony because with its rugged coastline, impenetrable bush and paucity of edible flora and fauna[1], escape was virtually impossible.  Macquarie Island where the action of Book 2 takes place in the southwest is often very cold, very wet, and very gloomy. When The Spouse and I once visited the area hoping for a joy-flight over the Gordon River (one of many places in Tasmania that were/are the subject of conservation battles) the weather was so bad we couldn’t even take a boat trip up the river. We couldn’t see much past our noses in the fog, and this was high summer!

Port Arthur not far from Hobart in the southeast where Book 3 is set has its own melancholy moods too, apart from its awful history, and it can also have foul weather at any time of the year.   While there may be very hot days in Summer and there is always the threat of bushfire,  Mt Wellington – which glowers forbiddingly above Hobart – always gets snow in Winter but sometimes also as late as November when a cold front blows in from the Antarctic.  It’s not uncommon for bushwalkers in wilderness areas to die of exposure if they get lost, and their bodies aren’t found until snow melt.  So although Tassie today is one of my favourite places for a holiday, its weather may demand some stoicism.  My advice to anyone reading this book is, don’t assume bright skies and sunshine: think cold fingers and toes, wet feet and clothing, dripping leaves down the back of your neck, and fog!

Tasmania was first settled as a penal colony by the British, off-loading their villains as far away as they could and establishing a claim to this part of the world for their empire at the same time.  As you will know if you have read Dr Lurline Stuart’s introduction to this significant Australian classic here on the ANZ LitLovers blog, Marcus Clarke’s story features a man wrongly convicted and the duplicity of the men who wrong him, set in the penal colonies of Macquarie Harbour and Port Arthur in Tasmania, and also at Norfolk Island off the mainland coast, half way between New Caledonia and New Zealand. It’s a riveting story.

Richard Devine is the profligate son of Sir Richard Devine, and heir to his considerable estate.  But Sir Richard, a war profiteer and a ‘gentleman’ only by marriage is just looking for an opportunity to prefer his nephew Maurice Frere as his heir, and the book begins with his wife providing him with a reason to do just that.  To protect her name, Richard assumes a new identity as Rufus Dawes and takes the blame for a crime he didn’t commit.  Unrecognisable in his new identity, he is convicted and transported to Tasmania, then known as Van Dieman’s Land.   Events conspire, and Rufus Dawes travels aboard the same ship as his rival Lieutenant Frere, frustrated in his ambition to join the leisured classes because of those same events and already on the path to brutal despotism.

Things go from bad to worse for Rufus: Clarke juggles the plot so that there are possibilities for relief from his misery but everything seems to conspire against him.  Part of the interest in the novel is whether or not his spirit or his integrity will be broken by the ghastly life he is forced to endure, and whether there will or – as events progress – can ever be any redemption.  But while using the novel as a vehicle for exposing the brutality of transportation, Clark also manages to create a real page-turner, with mutiny, conspiracy, escapes both successful and not, a love interest, harrowingly gruesome events and a compelling mystery.  The characterisation is excellent, especially of the stoic Dawes and his nemesis Frere; of the complex chaplain North and his counterpart the comic Meekin; and of a grand cast of villainous convicts and brutal guards.  Even the stock C19th representation of woman as whore and woman as Madonna works too.  Sarah Purfoy is a wonderful creation.

It would spoil the book to reveal much more than this and I entreat you not to read the Wikipedia summary beforehand – but it is safe to whet your appetite with this delightful clip of the 1927 film directed by Norman Dawn which pioneers some special effects to the ruins at Port Arthur!

[1] There was, of course, edible flora and fauna in Tasmania, which had sustained a plentiful diet for the indigenous people for 35,000 years or more.  Estimates of the population of the Parlevar people prior to the arrival of the British in 1803, range from 3,000–15,000.  But introduced diseases and warfare had decimated the indigenous population so that by the time of Clarke’s writing his novel in the 1870s, he could have known very little about them or how they lived.  In 1833 the last 200 or so survivors had been persuaded with false promises to surrender to ‘protection’ and had been removed to Flinders Island; and in 1847 the remnant 47 survivors were brought back to the Oyster Cove near Hobart on the mainland.  Truganner (often thought to be the last ‘full-blooded’ Palevar) died in 1876 and Fanny Cochrane Smith (recognised by Parliament in 1889 as the last survivor) died in 1905. See Wikipedia.

Availability:

For the Term of His Natural LifeThe Angus and Robertson edition of For the Term of His Natural Life is available at Fishpond, but it’s also available as a ‘Popular Penguin’ almost everywhere, and you can find the Gutenberg edition for free, downloaded either from

Fishpond also has Lurline’s His Natural Life (Academy Editions of Australian Literature) in stock.  It is well worth getting hold of this if you can because not only does it include a useful introduction and some essays about the historical background of the novel, there are also maps and extensive endnotes.

Posted by: Lisa Hill | January 14, 2012

A Short Walk in the Hindu Kush by Eric Newby

A Short Walk in the Hindu KushI know, I just know that I’m going to upset legions of Eric Newby enthusiasts with my thoughts about this book, but I was appalled by it, and I am astonished that Harper Press are so crass as to reissue it.

Newby is apparently highly-regarded as a travel writer, according to the book’s blurb: the ‘most successful travel writer of his generation’. First published in 1958,  A Short Walk in the Hindu Kush is said to be characterised by his ‘self-deprecating humour, sharp wit and keen observation’ but I was not only underwhelmed by the tale of these amateur explorers and their ill-prepared post-war venture into the mountains of Afghanistan, I failed to see anything funny about the prejudices he took with him – and reinforced – on the trip.

I consider myself rather lucky to have learned a little bit about Afghanistan before 9/11.  I was teaching English as a Second Language when the first refugees from the Taliban began arriving in the mid 1990s, and I could not do my usual lessons using what I knew about my students’ country because I didn’t even know where Afghanistan was, much less anything about it.  There was nothing much in the Encyclopaedia about it, I couldn’t find a single book about it in any of my libraries, and Wikipedia and Google didn’t exist back then.  (Or if they did, I didn’t know about it).

But with the help of a very smart eleven year old girl in my class, and an enterprising photographer from Vermont who was selling online his 1980s picture postcards showcasing Afghan art and architecture, its ancient treasures, and its beautiful landscapes, I began a crash course in Afghan history, geography and culture.  So while the Afghan kids learned grammar and sentence structure and the intricacies of English vocabulary, I learned about a beautiful country with an impressive ancient history (and, thanks to the friendly generosity of my students’ parents) a most delicious cuisine.  

Newby, escaping from a job he didn’t like in his parents’ fashion business, went to Nuristan on a whim, with his pal Hugh Carless who worked in the Foreign Office.  One does not need to read far into this book to understand why British Foreign Policy caused so much strife, if Carless as represented in this book is anything to go by.  He was an arrogant prat with complete disregard for the protocols and customs of the places he visited on this trip.  (He wrote an epilogue for the book in 2008, so presumably he’s not bothered by this.)

There’s a not-very-funny scene early in the book where in Turkey en route to Persia (sic)  they almost crashed into an injured man on the road.  Carless went into a panic because their presence there might have provoked an international incident: they (having been as careless about maps as about every other aspect of their preparation) were on the wrong road, very near the Russian border during the Cold War with a carload of cameras and other stuff that looked a lot like spy equipment. And Carless didn’t have a diplomatic visa for Turkey which had hostile relations with Britain at that time.   So did Persia/Iran which had not so long ago ceased diplomatic relations with Britain and booted them out of the country after Mussadiq’s coup.

The authorities thought that the duo were responsible for this accident (which turned into a fatality because the unfortunate man died in the military hospital) but all was resolved because they behaved ‘in a gentlemanly way’ and anyway, the dead man was ‘only a nomad’.   Is there something wrong with my sense of humour that I don’t find this funny at all?  Is it supposed to be funny when later Newby drove onto a Moslem cemetery which he claims to have mistaken for a rubbish dump? Would this be funny if someone did it in the UK, or America or Australia?

Every prejudice you can think of is reinforced by this ‘witty’ book.  The man in the car repair shop in Meshed in the Persian province of Khurasan is a ‘broken-toothed demon of a man’ who takes a fancy to Carless and offers him a ‘small blind boy, good-looking but with an air of corruption’ (p55).  After fondling the boy and suggesting that Carless do the same, this man then disappears into a cupboard with him, from which emitted a ‘succession of nasty stifled noises that drove [Carless and Newby] out of the shop’.  This is not the only time that Newby goes out of his way to suggest that people in this part of the world are casual about sexual mores.  In Farman, he reports that he is propositioned while he is vomiting in the street (how ‘gentlemanly’ is that??), and later he reports on polygamy almost as if it were prostitution. 

The difference between Newby and the iconic travel-writer H.V. Morton is respect for The Other.  In every circumstance Newby sets out to depict The Other as quaint, strange, dirty, stupid and corrupt.  In a ‘horrible little hamlet’ the locals - including ‘several women in a state of happy hysteria’ – stand around and do nothing when a child is thought to be drowning in a sewer, so heroic Newby dives in only to find that the child is safe and well having merely strayed next-door and no one is very grateful (p58). Likewise, in the Customs House at Taiabad, the military commander bemoans the opium trade in remote areas, oblivious to his own staff puffing away within eyesight.  Every stream in this remote, sparsely-populated area is, according to Newby, polluted by human effluent and the food in any cafe is overwhelmed by ‘a terrible smell of grease’ , the mast as ‘stiff as old putty, the same colour and pungent’.  They would rather eat ancient ex-army ration packs of Irish Stew. 

But it was the descriptions of the people that I found the most offensive.  At the Afghan border the Pathans have ‘Semitic, feminine faces but were an uncouth lot, full of swagger’, and Newby mocks the pantaloons that they wear as pyjamas  (p62). When the people who help them over a collapsed bridge afterwards bargain for payment (as is the custom, and more fools Newby & Carless for not concluding an agreed price beforehand) these helpful people are ‘ruffians’, while the ones accompanying American vehicles on the road are ‘piratical’.  Hazaras (who in my experience are attractive people) are ‘slit-eyed, round-headed Mongols’ (p94) while the Tajiks are the ‘original Persian owners of Afghan soil: pleasant, regular-featured people’ (p34).  Both Newby and Carless think it is okay to delude their guides as to their real destination, because they know full well that the locals would refuse to take them to where long-standing tribal hostilities would put the entire party at risk. Their arrogant sense of entitlement is breath-taking.

If I had picked up a 1958 edition of this book for 20c in an Op Shop, I would put the grotesque misrepresentation of Afghanistan and its people down to the era.  In the 1950s, post-war Britons had not adapted to Britain being the vibrant multicultural society that it is today, and Newby was probably representative of many nobodies who grew up believing that Britain’s Empire and its people were infinitely superior to everywhere else on earth.  But times have changed and this book belongs in the dust-bin of history.

Author: Eric Newby
Title: A Short Walk in the Hindu Kush
Publisher: Harper 2011
ISBN: 9780007367757
Source: Personal library, bought from the Pokolbin Village Bookshop in the Hunter Valley, and destined for my dust-bin when I get back home.

 

Posted by: Lisa Hill | January 12, 2012

The Memory Of Love by Aminatta Forna

The Memory of LoveSome books – no matter how subtle or skilful the storyteller – are so firmly rooted in the brutal reality of 20th century history that the reader feels a sense of dread with every passing chapter.  So it is with Aminatta Forna’s The Memory of Love, shortlisted for the 2011 Orange Prize and winner of a Commonwealth Writers’ Prize for Best Book.  Set in the aftermath of the Civil War in Sierra Leone it is such a relentlessly harrowing book, it’s hard to leave it behind when finally one reaches the last page. 

It’s the author’s restraint that makes it so harrowing. Anyone who remembers the news reports about the war in Sierra Leone already knows the back story gradually revealed by the characters.  Anyone who’s read Gil Courtemanche’s An Afternoon at the Pool in Kigali knows what to expect.  Any reader who comes to care about  the characters at all yearns – without much hope – that there will be a resolution offering some kind of peace for them.  And such a reader knows full well that the real people symbolised by these characters are living with the same sort of reality and the same likelihood of ever achieving any kind of normality (however that might be defined).

The story is narrated in the self-indulgent first person by Elias Cole, dying in the comfort of a private room in Freetown after a lifetime of greasing his career path at the university, and in the third person as we learn the story of Kai, a workaholic surgeon trying to blot out a traumatic memory not revealed until the very end.  Adrian Lockheart, a young English psychologist escaping from a banal marriage and career is the confidante of neither because the voluble Elias is silent about his acts of betrayal and Kai, like every other victim of the war, is too damaged to reveal his pain.  In an under-resourced hospital too-used to foreigners blundering into circumstances they don’t understand and none-too-privately despise, Adrian is politely tolerated but not expected to achieve much.  While Kai performs miracles with primitive equipment and a shortage of trained staff, Adrian deals with the mad and the sad with only vague hopes of restoring them to normality in a place where almost the entire population is suffering from post-traumatic stress disorder.

In  this scenario, Elias is perhaps too unsympathetically drawn.  The fact that he is dying is ironic: he is the ultimate survivor.  I suspect that he will make most female readers’ skin crawl, and many a male reader might long to dish out a little rough justice.  His voice dominates the novel: unwillingly we learn about his obsession with another man’s wife, his sleazy stalking, and his relentless petty note-taking about the rival whose friendship he persuades us to believe that he valued.  As the revelations mount we long for Adrian to challenge this banal self-delusion but he is a psychologist and ought not make judgements.

But Adrian – like all the characters – is flawed, and when he falls in love his dispassionate clinical manner vanishes along with his sense of judgement about other things too.  Everything gets very messy indeed as love triangles intersect.

Perhaps I’ve read too many harrowing books lately…

Author: Aminatta Forna
Title: The Memory of Love
Publisher: Bloomsbury 2011
ISBN: 9781408809655
Source: Kingston Library.

Availability:
Book Depository: The Memory of Love
Fishpond: The Memory of Love

Posted by: Lisa Hill | January 11, 2012

Past the Shallows by Favel Parrett

Past the ShallowsFavel Parrett is one of a new generation of Australian writers, and she has made an impressive debut with her first novel, Past the Shallows. It is raw, tough and uncompromising, and hard to put down: I read it in a single sitting.

If you travel much around the Australian coastline, sooner or later you will find a fishing fleet. These days the boats are huge and even from the pier you can see that they have a great deal of sophisticated equipment: radar and sonar, tall radio masts, and all the stuff needed for crews to process the catch quickly and efficiently and keep it on ice till it’s brought back to shore for the market.  But none of this fancy gear can alter the fact that the Aussie coastline is rugged and dangerous, that the weather is capricious and often hostile, and that commercial fishermen are under constant pressure to bring back a catch big enough to make a profit.  Often they go out in weather that would make an experienced sailor hesitate.  It’s a hard, tough life for these professional crews, and harder still for any small operator competing against them in a boat owned by the bank.

Favel Parrett has used this scenario for a pitiless tale.  There are three brothers growing up under the volatile moods of their father Steven Curren. Joe, at nineteen is the oldest, and on the verge of abandoning the family: Miles is still at school but old enough to go out on the Lady Ida during the holidays, and Harry is the baby of the family, an afterthought.

The plotting of this novel is taut and effective with a climax that makes turning out the bedside light an impossibility, but it’s the characterisation that will stay with me.  The third person narration gives us only two perspectives – Harry’s and Miles’ – and each of these bring this sad family and its secrets to life.  Harry is too young to remember much of his dead mother – he knows only the privation that a neglected child endures.  He is often hungry, craving sweet things but hoarding them too because he knows their rarity.  He is lonely, in the way, underfoot and often a burden for Miles because there is no one else to look out for him.  Aunty Jean takes him to the Hobart Regatta but doing her best for these motherless boys isn’t much of a best; she isn’t well, she hasn’t much money, and she has her own burdens of grief which blind her to the emotions of a child.

Harry finds solace in small friendships.  There is a school friend, Stuart, with a kindly mother who dares not interfere; there is a grotesquely disfigured neighbour whose dog offers the comfort of touch; and there is Miles to hero-worship. But he cannot expect much from any of the people in his life: he has had to learn to make himself unobtrusive and to mould himself to suit the expectations of others:

The air was cold and the house was quiet.  Harry got out of bed and shoved his bare feet into his sneakers.  Out in the kitchen, if he stood right on the tips of his sneakers, he could just reach the peanut butter jar in the top cupboard.  He ran his finger around the inside of the almost empty jar.  There was only enough peanut butter for one slice, so he put two pieces of bread in the toaster and made a toast sandwich.

Even though the embers were dead, Harry sat down by the wood heater to eat.  He ate quickly.  Aunty Jean would be here soon to take him to the Regatta and he’d better get dressed properly.  He’d better find the scarf she’d made him and wear it.  He’d better find the navy blue parka she’d bought him for Christmas.  He didn’t really like the parka because it was too big and he didn’t like the colour, but it was warm.  Anyway, he didn’t have another coat.  Only a thin rain jacket. (p11-12)

Miles is burdened by half-remembered memories and by his fraught relationship with his harsh, uncompromising father.  He hates going out on the boat and although he loves to surf, he fears the sea and its moods as much as he fears his father.  He has learned the hard way to fear his father’s fishing partner, Jeff, as well.  There are no safe havens for these boys on land or sea.  Miles longs to be a craftsman in wood as his Grandfather had been but he knows this isn’t an option.

It is a melancholy novel, but as Robert Drewe says on the cover blurb, it seems real and true, and it ‘sweeps you away in its tide’.  Parrett has resisted the temptation to conclude with a banal resolution – and it is left to the reader to imagine how these people brought so vividly to life will come to terms with the final tragedy.

Highly recommended.

Author: Favel Parrett
Title: Past the Shallows
Publisher: Hachette, 2011
ISBN: 9780733626579
Source: Personal library, purchased from Readings, $26.99

Availability:
Fishpond: Past the Shallows

Posted by: Lisa Hill | January 10, 2012

Man Asian Literary Prize Shortlist 2011

The judges have made their announcement and they selected seven books for their shortlist:

Dream of Ding Village by Yan Lianke

Please Look After Mom by Kyung-Sook Shin

The Wandering Falcon by Jamil Ahmad

The Sly Company of Those Who Care by Rahul Bhattachariya

River of Smoke by Amitav Ghosh

The Lake by Banana Yoshimoto

Rebirth by Jahnavi Barua

So – now the Shadow Jury must do what they can to try and select a winner!

Of all the books I have read from the 2011 Man Asian Literary Prize longlist – and I have now read them all, with the exception of the impossible-to-source Rebirth – I enjoyed reading this one the most.  The Folded Earth is a superb novel.

Like others in the longlist it deals with significant issues – the impact of an uncertain future on small towns with traditional ways; the clash of competing religions and the spread of hatred; economic imperatives that dissolve links with family and home; and the wash-up of colonialism.  But like Tahmima Anam’s The Good Muslim it is first-and-foremost a story and one which grips the reader with intensity.  I started it late last night  – and I turned the last of its 257 pages this morning, interrupted only by the need for sleep.

The Folded Earth tells the story of Maya, a young woman who abandoned her family to marry outside her religion, and then lost her husband in tragic circumstances.  She builds a new life in the remote hill country deep in the Himalaya, spending her working hours as a not-very-competent teacher in a Roman Catholic convent and the time in between as a companion to an eccentric old scholar called Diwan Sahib and as friend to a former pupil, a wayward teenager called Charu.  The novel is peopled with a generous cast of intriguing individuals: Ama, Charu’s exasperated grandmother and Sanki-Puran, her addle-witted uncle; Miss Wilson the schoolmarm; Diwan Sahib’s drinking partner Mr Qureshi; and Mr Chauhan, a pompous bureaucrat.  These characters are deftly drawn, and their preoccupations are engaging.  Roy is a compelling story-teller indeed.

But things change: ambitions to develop Ranikhet as a tourist mecca beset the town and its habits which have given solace to a grieving heart.  Politicians of the type we know so well in Australia – charlatans peddling hate-messages to get themselves elected – bring a kind of fear that is different to the ever-present anxiety about the leopards which prowl the forests in the surrounding hills.  The trekking business brings the enigmatic Veer home to his uncle Diwan Sahib and into Maya’s still vulnerable heart, but The Folded Earth is no soppy romance…

The cleansing monsoon, so torrid that it is known to send people into ‘fits of rage’ is vividly evoked:

When the clouds came lower and lower, to rest on our hills, they wiped away the mountains on the other side of the valley and bleached the distant trees of colour, turning them into charcoaled lines on the grey-white sky.  Houses felt furry with fungus and damp.  Dripping umbrellas spoked pools of water before every front door. The hills were a lush, brilliant green, and wild gladioli drooped everywhere in the rain.  The forest was carpeted with pretty, mauve, orchid-like flowers.  Roads were reclaimed by nature as landslides buried them and waterfalls drowned them, the wind felled trees, electricity failed, and telephones died, cutting off our town.  Some days, the clouds gave way to lurid sunsets, and then the curtains closed again. (p154)

No wonder the unlettered Charu is shocked by the Delhi she has seen only in magazine photographs:

What she was not prepared for was the stench.  It smelt of putrid things, filthy drains, sewage, burning rubber, and smoke from factories.  The stench came in through the windows of the bus, it was all around and she could hardly draw breath without coughing.  She had not been prepared for the sky.  She had thought skies were blue everywhere, as grass was green or red roses red; but here the sky was the slate grey colour of village roofs, only dirtier. (p214)

What kind of future will we have, asks this author, when all the little towns and villages are denuded of integrity?  Cities are places of unforgiveness, of distorted values, and of poverty of spirit.  What this author shows us is the damage done when careless grasping for money, power, fame and revenge pollutes a small town.  Town life is no utopia and there are cruelties large and small, but the precious tolerance that citizens have for difference and oddity is easily lost. The last act suggests that there is no redemption for certain types of betrayal…

This is a very fine book indeed and I plan to seek out Roy’s first novel, An Atlas of Impossible Longing’.

PS I have limited internet access while I am on holiday at Cedar Creek in the Hunter Valley, and because it is intermittent and painfully slow, it is just too hard to search for other reviews or link to those that other members of the Shadow Man Asian Literary Prize team have written.  But if you click on the Man Asian logo in the RHS menu you will find them anyway.

Later on today the shortlist will be announced. The news will be on Twitter at #Man Asian so keep an eye out for it!

Now, outside to the veranda where the signal is strongest, to see if I can upload this post….

Author: Anuradha Roy
Title: The Folded Earth
Publisher: Maclehose Press (Quercus), London, 2011
ISBN: 9780857050441
Source: Personal library, purchased from the Book Depository.

Dream of Ding Village by Yan Lianke is a powerful book: like The Plague by Albert Camus it shows how quickly a society can degenerate under pressure…

Ding Village is a microcosm of society: it has been a small, inconsequential part of China’s backdrop for centuries.  Its traditions and ways of being have withstood all kinds of change over time, but the onset of HIV/AIDS means it is doomed. 

Here in Australia supplies for our Blood Bank are donated.  There is no financial incentive for anyone to give blood and donors maintain our blood supply out of a sense of wanting to help others.  But in China, impoverished illiterate peasants were beguiled with payments for blood donations that enabled them to better themselves materially; and under pressure from the ‘higher-ups’ they were induced to donate more than they should because there were quotas to fill.  An entire industry erupted to facilitate blood collection, and procedures that are now routine to prevent transmission of blood-borne viruses were not used.  HIV/AIDS – with its cruel time-lag of 8-10 years before any symptoms show – became rampant and is decimating Ding Village.

For the past two years, people in the village had been dying.  Not a month went by without at least one death, and nearly every family had lost someone.  After more than forty deaths in the space of two years, the graves in the village cemetery were as dense as sheaves of wheat in a farmer’s field…Every one of them had died of AIDS.  (p9)

The story is narrated by a boy, a narrative device which enables a detached omniscient point-of-view but precludes mature judgement.  He observes, but he does not understand, and though late in the story he conveys his own anguish, he lacks the emotional maturity to empathise with others.  Most of the time, his presence as a ‘character’ is invisible, and the reader forgets that it is a child telling the story.

Grandpa Ding is the town’s de facto leader, and its moral compass.  Like everyone else he had believed at first that AIDS was

a foreigners’ disease, a big-city disease rumoured to affect only deviant people. But now China had it too.  It was spreading across the countryside and those who were getting sick were normal, upstanding people.  The sickness came in waves, like swarms of locusts descending over a field and destroying the vegetation.  If one person got sick, the only certainty was that many more would soon follow’. (p10)

This paragraph encapsulates the blind ignorance and prejudice that hindered funding for research and for preventative programs which in turn led to the spread of AIDS throughout so much of the world.  And assuming that Lianke’s story is set in the present, he seems to be saying that in China where shoddy blood collection procedures exacerbated the spread of the disease, there is no effective support for the people affected: no medicines to slow the progress of the disease, and no medical services.

So it is up to Grandpa to organise self-help, and he persuades the villagers to quarantine themselves in the local school.  It starts out as a kind of Utopia where since there is no hope of a cure and only a limited time to live, everyone will work together to make the best of their situation.  There will be equal contributions to the common pool and sharing of resources – but this turns out to be a dream…

In the claustrophobic world of the school, people’s basest instincts soon come to the fore.  There are thefts of food and precious belongings; there is spiteful gossip; there is competition for power; and there is rampant profiteering.  Traditional values are upended as Grandpa – who should be revered as an elder – is blackmailed into surrendering his power because of his son’s actions.  There is a new social and pecking order, and soon Grandpa finds that ‘school is a different country and Grandpa was no longer a citizen’ (p172). Even when there are some who demur, they feel they have to go along with the new order of things of it ‘will look bad’ but the Chinese concept of ‘losing face’ becomes flexible indeed when established marriages are dissolved as long as the right kind of bribe is paid.

Profiteering takes a bizarre turn when – having exhausted the village’s trees and existing furniture for the manufacture and sale of coffins – Grandpa’s son hits upon the idea of marrying off the dead and collecting matchmaking fees for it.  Grandpa is appalled by this and other degradations, but he is powerless to influence anyone any more.

So Dream of Ding Village is not just about the impact of HIV/AIDS, but more broadly about how rapid development in China is subverting traditional values to create a society based on the profit motive.  While ordinary people are persuaded to give up long-held values in order to improve their lot, they do not realise that their way of life is becoming irretrievably corrupted. 

It’s not easy reading, but Dream of Ding Village definitely deserves its place on the Man Asian Literary Prize longlist.

Author: Yan Lianke
Title: Dream of Ding Village
Translated by Cindy Carter
Publisher: Corsair, UK 2011
ISBN: 9781845296926
Source: Personal Library

Posted by: Lisa Hill | January 8, 2012

Meet an Aussie Author: Karen Foxlee

Karen Foxlee is the talented author of The Anatomy of Wings which I had had on the TBR since its release but have only recently read.  (See my review here).  It was Karen’s debut novel and it won immediate acclaim,  capturing the 2008  – Commonwealth Writers’ Prize (Best First Book in the South East Asia and South Pacific Region);  the 2008 – Dobbie Encouragement Award;  and the 2006 – Queensland Premier’s Literary Award (Best emerging author).

I contacted Karen after I’d read it to let her know about my enthusiastic review, and she very kindly agree to take part in Meet an Aussie Author.   Here  are Karen’s answers to the usual questions, with some rather unusual answers!

1.  I was born in Mount Isa and grew up there.  I still dream about it a lot.  I’m always walking along the dry river bed or cycling along the streets.

2. When I was a child I wrote about a family of sisters who were orphaned.  I loved that story.  All the sisters were separated and sent to live in different cities.  I wrote the story in a blue feint lined exercise book and I illustrated it with pictures from the back of reader’s digests.  I was suitably impressed with myself.

3. The person who encouraged/inspired/mentored me to write was my grade four/five teacher.  She was really into creative writing – we had to imagine we were all sorts of inanimate objects and I can clearly remember writing from the perspective of a lost marble in the playground.  I loved her lessons.

4. I write in my living room, mostly on my sofa.  Sometimes I get serious and go to the sleep out where I have a desk but it’s usually covered in a ridiculous amount of paper, notebooks and overdue library books. I quite like the sofa.  My cat sits with me to keep me company.

5. I write when ever I can.  I have a three-year old daughter so things can get a bit tricky.  I usually write early in the mornings from 5 until  7:30.  I write in blocks.  I’ll set a goal and do three months of intense writing.  Afterwards I’ll crash and burn and say I’m never going to write again.  Usually though in that time I’ve given birth to a story.  And I always forget the pain it caused.

6. Research is incredibly calming.  Right up there with therapeutic photocopying.  I like researching almost anything. I’ve been obsessed with the geographical location of specific types of grass, the lives of the saints, birds, types of clocks, and Brisbane history to name just a few.  Currently my fascination is with the hidden rivers of London.  I know I should stop googling it.  I know I should stop ordering books about it online.  It gets absolutely no writing done, but damn, it makes me feel so good.

7. I keep my published work/s in boxes in the sleep out and one or two on my shelves.  I’ve given many away.  They collect a lot of dust.

8. On the day my first book was published I felt very nervous because I had to make a speech. Being published was great but I was much more proud of the fact that I’d actually finished something, that I’d believed in myself, and that I refused to give up.

9. At the moment, I’m writing about a homework machine that turns evil, a young girl who sees the future in puddles, a boy who is marvellous and a love story involving a carriage clock.  Not in that order.  I have too many projects going on.  I have to settle down and choose one soon.

The Thinking Chair

10. When I’m stuck for an idea/word/phrase I have to go and sit in the thinking chair and write by hand.  I think things out that way.  The thinking chair is in the sleep out.  I’m not allowed to get out of the chair until I’ve worked out the problem.  Sometimes I look in my thesaurus which is much-loved and worn thin with searching over the years.

Therapeutic photocopying, eh?  I’m going to try and channel these therapeutic properties next time I’m churning out multiple copies of stuff at work!

Thanks for participating, Karen:)  I won’t wait so long to read your next novel when it hits the shelves, I assure you!

The Anatomy of Wings is available at Fishpond.  Click the link.

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